After Electromagnetism

The topic of this chapter is a quickening in the pace of change, in both technology and literature, brought about from the 1880s onwards by the harnessing of electricity’s alliance with magnetism to transform methods of telecommunication. The consequent opening up of the ‘Olympian frequency domain’ (Friedrich Kittler) fundamentally undermined the sovereignty of human consciousness. The chapter explores two uses of the metaphor of lightning in literature, philosophy, anthropology, and folklore: first, to mark the limit of unaided human perception; secondly, to indicate, by an emphasis on the return stroke, that two-way communication between earth and heaven is at least conceivable. The focus is on D. H. Lawrence’s fiction, essays, and poetry (especially the extraordinary ‘Bare Almond Trees’); and on Hope Mirrlees’s encoding of her relationship with the eminent classicist Jane Harrison into Paris (1920), a modernist long poem worthy of comparison with T. S. Eliot’s The Waste Land (1922).