{"title":"《百年孤独与活着讲述》,作者:加布里埃尔garcia marquez:拉丁美洲社会文化身份的表达","authors":"Marcelo Pessoa","doi":"10.33726/abralicandakdpub9788598402079v897a2011p01a13","DOIUrl":null,"url":null,"abstract":"Our work investigates post-colonialism categories in the works One Hundred Years of Solitude and Live to Count. The pillars of our search are fictional and biographical images constituents of the works in question. Such references are focused as expressions sociocultural aspects of the Latin American people. Our interest in the work One Hundred Years of Solitude, by Gabriel García Márquez, is related to the fact that this literary production represents strong elements of contemporary Latin American context. Likewise, we realize that the author, in the literary manifestation of signs of Latinity, makes use of elements consistent with the acculturation to which the Latin American people submitted, as we can see in their biographical work Living to Tell. In Viver para Contar, the experience report reveals that the Latin American singularity is focused on the interface with the European or North American “other”. From these two paradigms emerges the allegorical figure of the neo-colonizer represented by the different dynamics of capital oppression, highlighting the different ways in which singularities were glimpsed in the world and from which they began to interact and metamorphose reciprocally. Finally, it is seen that these connections, among other things, bring out the profile of Latin Americans that we believe to have and/or to be, thus composing a literary iconography1 of the Latin America","PeriodicalId":114143,"journal":{"name":"Revista AKEDIA - Versões, Negligências e Outros Mundos","volume":"945 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cem Anos de Solidão e Viver para Contar, de Gabriel García Márquez: expressões de identidade sociocultural latinoamericana\",\"authors\":\"Marcelo Pessoa\",\"doi\":\"10.33726/abralicandakdpub9788598402079v897a2011p01a13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Our work investigates post-colonialism categories in the works One Hundred Years of Solitude and Live to Count. The pillars of our search are fictional and biographical images constituents of the works in question. Such references are focused as expressions sociocultural aspects of the Latin American people. Our interest in the work One Hundred Years of Solitude, by Gabriel García Márquez, is related to the fact that this literary production represents strong elements of contemporary Latin American context. Likewise, we realize that the author, in the literary manifestation of signs of Latinity, makes use of elements consistent with the acculturation to which the Latin American people submitted, as we can see in their biographical work Living to Tell. In Viver para Contar, the experience report reveals that the Latin American singularity is focused on the interface with the European or North American “other”. From these two paradigms emerges the allegorical figure of the neo-colonizer represented by the different dynamics of capital oppression, highlighting the different ways in which singularities were glimpsed in the world and from which they began to interact and metamorphose reciprocally. Finally, it is seen that these connections, among other things, bring out the profile of Latin Americans that we believe to have and/or to be, thus composing a literary iconography1 of the Latin America\",\"PeriodicalId\":114143,\"journal\":{\"name\":\"Revista AKEDIA - Versões, Negligências e Outros Mundos\",\"volume\":\"945 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista AKEDIA - Versões, Negligências e Outros Mundos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33726/abralicandakdpub9788598402079v897a2011p01a13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista AKEDIA - Versões, Negligências e Outros Mundos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33726/abralicandakdpub9788598402079v897a2011p01a13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
我们的作品《百年孤独》和《活得有意义》探讨了后殖民主义的范畴。我们搜索的支柱是虚构和传记图像的组成部分的作品的问题。这些参考文献的重点是表达拉丁美洲人民的社会文化方面。我们对加布里埃尔García Márquez的作品《百年孤独》感兴趣,是因为这个文学作品代表了当代拉丁美洲语境的强烈元素。同样,我们也意识到,作者在对拉丁裔特征的文学表现中,使用了与拉丁美洲人民所接受的文化适应相一致的元素,正如我们在他们的传记作品《活着讲》中看到的那样。在Viver para Contar中,经验报告显示,拉丁美洲的奇点集中在与欧洲或北美“他者”的界面上。从这两种范式中,出现了以资本压迫的不同动态为代表的新殖民者的寓言形象,突出了在世界上瞥见奇点的不同方式,以及它们开始相互作用和变形的不同方式。最后,我们看到,这些联系,除其他外,带出了我们认为已经存在或将要存在的拉丁美洲人的形象,从而构成了拉丁美洲的文学肖像
Cem Anos de Solidão e Viver para Contar, de Gabriel García Márquez: expressões de identidade sociocultural latinoamericana
Our work investigates post-colonialism categories in the works One Hundred Years of Solitude and Live to Count. The pillars of our search are fictional and biographical images constituents of the works in question. Such references are focused as expressions sociocultural aspects of the Latin American people. Our interest in the work One Hundred Years of Solitude, by Gabriel García Márquez, is related to the fact that this literary production represents strong elements of contemporary Latin American context. Likewise, we realize that the author, in the literary manifestation of signs of Latinity, makes use of elements consistent with the acculturation to which the Latin American people submitted, as we can see in their biographical work Living to Tell. In Viver para Contar, the experience report reveals that the Latin American singularity is focused on the interface with the European or North American “other”. From these two paradigms emerges the allegorical figure of the neo-colonizer represented by the different dynamics of capital oppression, highlighting the different ways in which singularities were glimpsed in the world and from which they began to interact and metamorphose reciprocally. Finally, it is seen that these connections, among other things, bring out the profile of Latin Americans that we believe to have and/or to be, thus composing a literary iconography1 of the Latin America