船舶设计师需要知道的100件事

D. Andrews
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引用次数: 1

摘要

对于像船舶设计这样复杂多样的事情,如果有人提出100件我们应该知道的事情,这可能会令人反感。然而,我们都很熟悉书店里的小书,上面写着“艺术家/建筑师等应该知道的100件事”,通常还配有诙谐的漫画。唉,在这种情况下,后者尚未实现——也许读者可以为许多项目提供自己的插图,或者更有可能添加自己的插图。本清单的演讲者/作者在几次IMDC会议上提供了比这更传统的主题演讲。其中包括2006年在安娜堡举行的IMDC上的“船舶设计的魅力”和“船舶设计现在是一门成熟的学科吗?”在格拉斯哥举行的2012年IMDC上说。作为IMDC艺术现状报告的发起者和自2015年以来IMDC系列会议的国际主席,作者试图将这些突出船舶/海洋设计独特性的问题汇集在一起。除了船只是我们最大的移动人工制品之外,它们的构思和实现过程就像不同的船只一样多种多样,因此很难确定。在最近的一篇重要出版物中,作者提出了一个论点,即复杂船只设计的最初阶段确实是复杂的,尤其是在决策方面,这应该是这样一个过程的基础。这一论点的总结和其他一些出版物试图解决这一过程的许多更广泛的方面,作为一百多个简短陈述的场景设置,这些陈述被列为向这一具有挑战性的“艺术”的当前和未来实践者传达的一种方式,作为总结“人们应该知道的东西”。这个列表很大程度上归功于作者,尽管也有一些来自其他船舶设计实践者的作品太好了,不能不包括在内。作者还发现,在整个“船舶设计”领域内,这些陈述似乎涉及了大约七个大类。这些也被呈现给其他人去挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
100 Things (or so) a Ship Designer Needs to Know
It is probably invidious for anyone to propose some 100 things one should know about regarding an endeavour as diverse and complicated as ship design, however we are all familiar with little books in bookshops with “100 things and artist/architect etc. should know”, often accompanied by witty cartoons. Alas the latter has not yet to be achieved in this case – perhaps readers can provide their own illustrations to many of the items or more likely add their own. The presenter/author of this listing has provided more conventional keynotes than this to several IMDC conferences. These have included “The Fascination of Ship Design” to the 2006 IMDC at Ann Arbor and “Is Marine Design now a Mature Discipline?” to the 2012 IMDC in Glasgow. As the originator of the IMDC State of Art Reports and since 2015 the International Chair of the IMDC series of conferences, the author has sought to bring together those issues that highlight the unique nature of Ship/Marine Design. Aside from ships being our largest mobile artefacts, the process by which they are conceived and brought to fruition is as varied as there are different vessels and consequently it is hard to pin down. In a recent substantial publication, the author produced an argument that the earliest stages of the design of complex vessels were indeed sophisticated, not least in the decision making that should underlie such a process. A summary of this argument and several other publications attempting to address many of the wider aspects of the process are presented as scene setting to the just over one hundred short statements that are listed as one way to convey to current and future practitioners of this challenging “art”, as summarising “what one ought to know”. The listing is largely due to the author ‘though there are some from other practitioners of ship design that were too good to not include. The author has also found that there seems to be about seven broad categories that the statements seemed to address within the overall ”ship design” field. These are also presented for others to challenge.
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