{"title":"波普艺术","authors":"Joe A. Thomas","doi":"10.2307/j.ctv224v06n.16","DOIUrl":null,"url":null,"abstract":"First appearing in England in the 1950s, it flourished in the United States during the early 1960s, the moment of Pop's greatest popularity. Although it was an international style--with practitioners in Asia and Latin America, as well as in the Soviet Union and Western Europe--its most famous manifestations were seen in the work of American artists such as Roy Lichtenstein, Claes Oldenburg, Mel Ramos, James Rosenquist, Andy Warhol, and Tom Wesselmann.","PeriodicalId":405293,"journal":{"name":"Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp","volume":"109 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"POP ART\",\"authors\":\"Joe A. Thomas\",\"doi\":\"10.2307/j.ctv224v06n.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"First appearing in England in the 1950s, it flourished in the United States during the early 1960s, the moment of Pop's greatest popularity. Although it was an international style--with practitioners in Asia and Latin America, as well as in the Soviet Union and Western Europe--its most famous manifestations were seen in the work of American artists such as Roy Lichtenstein, Claes Oldenburg, Mel Ramos, James Rosenquist, Andy Warhol, and Tom Wesselmann.\",\"PeriodicalId\":405293,\"journal\":{\"name\":\"Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp\",\"volume\":\"109 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv224v06n.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv224v06n.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
First appearing in England in the 1950s, it flourished in the United States during the early 1960s, the moment of Pop's greatest popularity. Although it was an international style--with practitioners in Asia and Latin America, as well as in the Soviet Union and Western Europe--its most famous manifestations were seen in the work of American artists such as Roy Lichtenstein, Claes Oldenburg, Mel Ramos, James Rosenquist, Andy Warhol, and Tom Wesselmann.
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