伊斯兰几何与书法表达的统一性与多元性:努沙塔拉清真寺的摄影与视觉空间之旅

N. Baniyamin, Zumahiran Kamaruddin, Rajabi Abdul Razak
{"title":"伊斯兰几何与书法表达的统一性与多元性:努沙塔拉清真寺的摄影与视觉空间之旅","authors":"N. Baniyamin, Zumahiran Kamaruddin, Rajabi Abdul Razak","doi":"10.30998/cs.v1i1.20","DOIUrl":null,"url":null,"abstract":"The paper describes how the experience and philosophy of Islamic unity and multiplicity are heightened through a photographic compilation of surface patterning; geometric and calligraphic in Mosques in the region. It then focuses on two mosques to highlight their particular contributions to achieved a contextualisation of such a universal aesthetic design and expression. Both masjid Negara Kuala Lumpur and the Istilal Mosque, Jakarta, represent key innovation, of prayer hall expression and decoration due to the contextualisation, and regionalization of essential geometric patterning, which departs from the usual stereotypical Islamic geometry to embrace and forward a Nusantara identity that resonates with minimalism and modernization in the industrialized world. ","PeriodicalId":156044,"journal":{"name":"Cultural Syndrome","volume":"134 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Unity and Multiplicity in Islamic Geometric and Calligraphic Expression: A Photographic and Visual Journey of Space in Nusantara Mosques\",\"authors\":\"N. Baniyamin, Zumahiran Kamaruddin, Rajabi Abdul Razak\",\"doi\":\"10.30998/cs.v1i1.20\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper describes how the experience and philosophy of Islamic unity and multiplicity are heightened through a photographic compilation of surface patterning; geometric and calligraphic in Mosques in the region. It then focuses on two mosques to highlight their particular contributions to achieved a contextualisation of such a universal aesthetic design and expression. Both masjid Negara Kuala Lumpur and the Istilal Mosque, Jakarta, represent key innovation, of prayer hall expression and decoration due to the contextualisation, and regionalization of essential geometric patterning, which departs from the usual stereotypical Islamic geometry to embrace and forward a Nusantara identity that resonates with minimalism and modernization in the industrialized world. \",\"PeriodicalId\":156044,\"journal\":{\"name\":\"Cultural Syndrome\",\"volume\":\"134 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Syndrome\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30998/cs.v1i1.20\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Syndrome","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30998/cs.v1i1.20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文描述了伊斯兰教的统一性和多样性的经验和哲学是如何通过表面图案的摄影汇编被提高的;该地区清真寺的几何和书法。然后,它将重点放在两座清真寺上,以突出它们对实现这种普遍美学设计和表达的背景化的特殊贡献。吉隆坡国家清真寺和雅加达伊斯兰清真寺都代表了祈祷大厅表达和装饰的关键创新,这是由于背景化和基本几何图案的区划化,它偏离了通常的刻板的伊斯兰几何形状,拥抱并推进了努沙塔拉的身份,与工业化世界的极简主义和现代化产生共鸣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unity and Multiplicity in Islamic Geometric and Calligraphic Expression: A Photographic and Visual Journey of Space in Nusantara Mosques
The paper describes how the experience and philosophy of Islamic unity and multiplicity are heightened through a photographic compilation of surface patterning; geometric and calligraphic in Mosques in the region. It then focuses on two mosques to highlight their particular contributions to achieved a contextualisation of such a universal aesthetic design and expression. Both masjid Negara Kuala Lumpur and the Istilal Mosque, Jakarta, represent key innovation, of prayer hall expression and decoration due to the contextualisation, and regionalization of essential geometric patterning, which departs from the usual stereotypical Islamic geometry to embrace and forward a Nusantara identity that resonates with minimalism and modernization in the industrialized world. 
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信