自然与文明

David Evans-Powell
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引用次数: 0

摘要

本章着眼于影片中描绘的三种环境的特点和相互关系:森林荒野;在法官家里的那一幕短剧所代表的伦敦;以及村庄的耕种和居住空间。这一章考虑了电影中原始、退化的自然荒野与文明、进步(但傲慢和专制)的伦敦之间的紧张关系。它考察了历史和文化对已开垦、未开垦和已占用空间的态度,讨论了古典和浪漫的景观方法,以及保罗·纽兰提出的观点。它将村庄作为一个界限空间进行探索,在这个空间中可以看到自然荒野和文明城市空间的特征。村庄空间被置于其历史背景中,作为一种环境,受到景观形式、功能和所有权的争议性变化的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nature and Civilisation
This chapter looks at the characteristics of, and relationship between, the three environments depicted within the film: the forest wilderness; London as represented by the short scene in the Judge’s house; and the cultivated and inhabited spaces of the village. This chapter considers the tension in the film between the primitive, regressive nature wilderness and the civilised and progressive (yet overbearing and tyrannical) London. It examines historical and cultural attitudes to the cultivated, uncultivated and occupied spaces, drawing in discussions on Classical and Romantic approaches to the landscape as well as points made by Paul Newland. It explores the village as a liminal space in which the characteristics of both the natural wilderness and the civilised urban space can be seen. The village space is put into its historical context as an environment subject to contentious changes to the form, function and ownership of the landscape.
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