古希腊

Torbjørn L. Knutsen
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引用次数: 4

摘要

本章概述了古希腊音乐史的证据,将其与柏拉图等人所代表的哲学方法以及最近阐明的古希腊乐谱文献联系起来。精神和模仿的概念与古希腊音乐的声音有关,这些声音来自描述,幸存的乐谱和乐器的复制品,如aulos(双管)。本章试图在其文化背景下阐明mousik æ(“音乐”,源于希腊神穆萨的名字,缪斯)的概念,并将古代音乐传统的元素,如节拍和和声与当代听觉和音乐现实联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ancient Greece
This chapter outlines the evidence for musical history in ancient Greece, connecting it to philosophical approaches represented by Plato and others, as well as to recently elucidated documents with Ancient Greek musical notation. Ideas of ethos and mimesis are related to what may be known about the sounds of ancient Greek music as elicited from descriptions, surviving scores, and replicas of instruments such as the aulos (double pipe). The chapter seeks to elucidate the notion of mousikē (‘music’, as derived from the name of Greek divinities Mousai, the Muses) in its cultural context, and to connect elements of ancient musical traditions such as metre and harmonics to contemporary aural and musical realities.
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