{"title":"大流行,但让它成为时尚:COVID-19时期的乌克兰刺绣PPE","authors":"Katya Chomitzky","doi":"10.17161/folklorica.v24i.15689","DOIUrl":null,"url":null,"abstract":"Embroidered pandemic wear has become one of the newest cultural fashion trends to emerge in Ukraine and within its Canadian diaspora. This article explores the ways in which embroidery as a traditional form of culture retains meaning within modern contexts, while also serving as a vehicle for experimenting with atypical applications of cultural symbols and representations. Throughout the COVID-19 pandemic, cloth masks have been recommended by public health officials, including the World Health Organization, as a preventative measure to limit the spread of the virus. On the basis of digital fieldwork, I discuss the meanings and inspirations behind these embroidered masks, while conducting a material culture analysis of the objects themselves. I argue that, through a subversion of their common purpose— to hide one’s identity— masks have been used in the pandemic as an open/performative display of culture. I contend that this display acts as a means to promote tradition through ephemera and assert cultural importance. This, coupled with the personal/private use of embroidery as a protective talisman, has fueled a trend of embroidered personal protective equipment in popular culture. In this article, I examine the purpose, use, and form of these masks in order to bring light to the ways in which cultural traditions and objects act (and developed prevalence) as a form of pandemic response.","PeriodicalId":359705,"journal":{"name":"FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association","volume":"12 5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pandemic, but Make It Fashion: Ukrainian Embroidered PPE in the Time of COVID-19\",\"authors\":\"Katya Chomitzky\",\"doi\":\"10.17161/folklorica.v24i.15689\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Embroidered pandemic wear has become one of the newest cultural fashion trends to emerge in Ukraine and within its Canadian diaspora. This article explores the ways in which embroidery as a traditional form of culture retains meaning within modern contexts, while also serving as a vehicle for experimenting with atypical applications of cultural symbols and representations. Throughout the COVID-19 pandemic, cloth masks have been recommended by public health officials, including the World Health Organization, as a preventative measure to limit the spread of the virus. On the basis of digital fieldwork, I discuss the meanings and inspirations behind these embroidered masks, while conducting a material culture analysis of the objects themselves. I argue that, through a subversion of their common purpose— to hide one’s identity— masks have been used in the pandemic as an open/performative display of culture. I contend that this display acts as a means to promote tradition through ephemera and assert cultural importance. This, coupled with the personal/private use of embroidery as a protective talisman, has fueled a trend of embroidered personal protective equipment in popular culture. In this article, I examine the purpose, use, and form of these masks in order to bring light to the ways in which cultural traditions and objects act (and developed prevalence) as a form of pandemic response.\",\"PeriodicalId\":359705,\"journal\":{\"name\":\"FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association\",\"volume\":\"12 5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17161/folklorica.v24i.15689\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17161/folklorica.v24i.15689","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Pandemic, but Make It Fashion: Ukrainian Embroidered PPE in the Time of COVID-19
Embroidered pandemic wear has become one of the newest cultural fashion trends to emerge in Ukraine and within its Canadian diaspora. This article explores the ways in which embroidery as a traditional form of culture retains meaning within modern contexts, while also serving as a vehicle for experimenting with atypical applications of cultural symbols and representations. Throughout the COVID-19 pandemic, cloth masks have been recommended by public health officials, including the World Health Organization, as a preventative measure to limit the spread of the virus. On the basis of digital fieldwork, I discuss the meanings and inspirations behind these embroidered masks, while conducting a material culture analysis of the objects themselves. I argue that, through a subversion of their common purpose— to hide one’s identity— masks have been used in the pandemic as an open/performative display of culture. I contend that this display acts as a means to promote tradition through ephemera and assert cultural importance. This, coupled with the personal/private use of embroidery as a protective talisman, has fueled a trend of embroidered personal protective equipment in popular culture. In this article, I examine the purpose, use, and form of these masks in order to bring light to the ways in which cultural traditions and objects act (and developed prevalence) as a form of pandemic response.