透过动画全景解说哥打瓜拉吉打的虚拟遗产

Erwin Abd. Jabbar, Muhammad Jafni Jusof
{"title":"透过动画全景解说哥打瓜拉吉打的虚拟遗产","authors":"Erwin Abd. Jabbar, Muhammad Jafni Jusof","doi":"10.1109/VSMM.2014.7136645","DOIUrl":null,"url":null,"abstract":"This paper is a study on the workflow of interpreting Malaysia's renowned historical heritage site through the use of animated panorama presented in a virtual environment. While most historical exhibits presented in a static visual manner, this research could enhance the way an interpretation of an historical site is perceived by adding `life' suggesting the essence of lost culture within a 360 virtual environment. Currently, the only recorded history of Kota Kuala Kedah is in the form of textual, old photos and outdated illustrations. Although it is considered one of the oldest Malay built fort, there has not been much recorded historical info of the fort. During its glory days, the fort was filled with various activities and had seen many bloodshed within its walls. However, what can be seen today is only a small museum in the middle of an empty field surrounded by reconstructed walls. Though many of local Kedah old folks still can tell a good story of the fort, younger generations today are unable to visually interpret what had happened inside the walls of Kota Kuala Kedah. Furthermore, the exhibits at the museum and the surroundings do not provide enough visual interpretation in describing the backstory of the fort. Thus, an interpretative illustration of this fort in its glorious days will be presented in an animated virtual tour that enables users to engage in an immersive experience, reflecting the culture that existed more than 200 years ago. This paper will discuss the visual interpretative process and technical legibility in creating such an artwork. The motivation of the paper is not just to preserve culture heritage, but to innovate some of the oldest visual interpretation methods presented through the latest trends of visual experience and technical capabilities. Through the animated panoramic illustration presented in an interactive way, viewers are able to immerse into the heritage events, breaking the boundary of any photography based virtual representation.","PeriodicalId":170661,"journal":{"name":"2014 International Conference on Virtual Systems & Multimedia (VSMM)","volume":"71 6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Virtual heritage interpretation through animated panoramic illustration of Kota Kuala Kedah\",\"authors\":\"Erwin Abd. Jabbar, Muhammad Jafni Jusof\",\"doi\":\"10.1109/VSMM.2014.7136645\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper is a study on the workflow of interpreting Malaysia's renowned historical heritage site through the use of animated panorama presented in a virtual environment. While most historical exhibits presented in a static visual manner, this research could enhance the way an interpretation of an historical site is perceived by adding `life' suggesting the essence of lost culture within a 360 virtual environment. Currently, the only recorded history of Kota Kuala Kedah is in the form of textual, old photos and outdated illustrations. Although it is considered one of the oldest Malay built fort, there has not been much recorded historical info of the fort. During its glory days, the fort was filled with various activities and had seen many bloodshed within its walls. However, what can be seen today is only a small museum in the middle of an empty field surrounded by reconstructed walls. Though many of local Kedah old folks still can tell a good story of the fort, younger generations today are unable to visually interpret what had happened inside the walls of Kota Kuala Kedah. Furthermore, the exhibits at the museum and the surroundings do not provide enough visual interpretation in describing the backstory of the fort. Thus, an interpretative illustration of this fort in its glorious days will be presented in an animated virtual tour that enables users to engage in an immersive experience, reflecting the culture that existed more than 200 years ago. This paper will discuss the visual interpretative process and technical legibility in creating such an artwork. The motivation of the paper is not just to preserve culture heritage, but to innovate some of the oldest visual interpretation methods presented through the latest trends of visual experience and technical capabilities. Through the animated panoramic illustration presented in an interactive way, viewers are able to immerse into the heritage events, breaking the boundary of any photography based virtual representation.\",\"PeriodicalId\":170661,\"journal\":{\"name\":\"2014 International Conference on Virtual Systems & Multimedia (VSMM)\",\"volume\":\"71 6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2014 International Conference on Virtual Systems & Multimedia (VSMM)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/VSMM.2014.7136645\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2014 International Conference on Virtual Systems & Multimedia (VSMM)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/VSMM.2014.7136645","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

本文研究的是通过使用虚拟环境中呈现的动画全景来解释马来西亚著名历史遗产地的工作流程。虽然大多数历史展品以静态的视觉方式呈现,但这项研究可以通过在360度虚拟环境中添加“生命”来暗示失落文化的本质,从而增强对历史遗址的解释方式。目前,瓜拉吉打哥打唯一的历史记录是文字、旧照片和过时的插图。虽然它被认为是最古老的马来人建造的堡垒之一,但没有太多的历史资料记录。在它辉煌的日子里,这座堡垒充满了各种各样的活动,在它的城墙内目睹了许多流血事件。然而,今天所能看到的只是一个被重建的墙壁包围的空地中央的小博物馆。虽然许多吉打当地的老人仍然可以讲述这个堡垒的故事,但今天的年轻一代已经无法直观地解释哥打瓜拉吉打城墙内发生的事情。此外,博物馆的展品和周围环境没有提供足够的视觉解释来描述堡垒的背景故事。因此,这座堡垒辉煌时期的解释性插图将以动画虚拟之旅的形式呈现,使用户能够沉浸在一种反映200多年前存在的文化的身临其境的体验中。本文将讨论在创作这样的艺术品时的视觉解释过程和技术易读性。本文的动机不仅仅是保护文化遗产,而是通过视觉体验和技术能力的最新趋势,创新一些最古老的视觉解释方法。通过以互动方式呈现的动画全景插图,观众可以沉浸在遗产事件中,打破了任何基于摄影的虚拟表现的边界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Virtual heritage interpretation through animated panoramic illustration of Kota Kuala Kedah
This paper is a study on the workflow of interpreting Malaysia's renowned historical heritage site through the use of animated panorama presented in a virtual environment. While most historical exhibits presented in a static visual manner, this research could enhance the way an interpretation of an historical site is perceived by adding `life' suggesting the essence of lost culture within a 360 virtual environment. Currently, the only recorded history of Kota Kuala Kedah is in the form of textual, old photos and outdated illustrations. Although it is considered one of the oldest Malay built fort, there has not been much recorded historical info of the fort. During its glory days, the fort was filled with various activities and had seen many bloodshed within its walls. However, what can be seen today is only a small museum in the middle of an empty field surrounded by reconstructed walls. Though many of local Kedah old folks still can tell a good story of the fort, younger generations today are unable to visually interpret what had happened inside the walls of Kota Kuala Kedah. Furthermore, the exhibits at the museum and the surroundings do not provide enough visual interpretation in describing the backstory of the fort. Thus, an interpretative illustration of this fort in its glorious days will be presented in an animated virtual tour that enables users to engage in an immersive experience, reflecting the culture that existed more than 200 years ago. This paper will discuss the visual interpretative process and technical legibility in creating such an artwork. The motivation of the paper is not just to preserve culture heritage, but to innovate some of the oldest visual interpretation methods presented through the latest trends of visual experience and technical capabilities. Through the animated panoramic illustration presented in an interactive way, viewers are able to immerse into the heritage events, breaking the boundary of any photography based virtual representation.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信