{"title":"俄美小说中的自我翻译(米哈伊尔·伊多夫小说《ground up》)","authors":"Elizaveta S. Soshnikova, Evgeniya M. Butenina","doi":"10.31079/1992-2868-2023-20-1-87-91","DOIUrl":null,"url":null,"abstract":"The paper discusses the translation of the novel Ground Up (2009) into Russian made by the author, Mikhail Idov, and published as Kofemolka (Coffee Grinder) in 2010. Since this has been the first example of self-translation in Russian-American prose since Nabokov, which M. Idov himself admitted, the approaches of the two writers are compared. The paper notes a deliberate combination of domestication and foreignization, which reflects the emigrant history of existence between two cultures and two languages mostly addressed to a bilingual reader. At the same time, the ludic principle is significant for both writers (verbalized in pseudo-comments, puns, ironic allusions) and it often determines their translation decisions.","PeriodicalId":107715,"journal":{"name":"The Humanities And Social Studies In The Far East","volume":"48 7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"SELF-TRANSLATION IN RUSSIAN-AMERICAN FICTION (MIKHAIL IDOV’S NOVEL GROUND UP)\",\"authors\":\"Elizaveta S. Soshnikova, Evgeniya M. Butenina\",\"doi\":\"10.31079/1992-2868-2023-20-1-87-91\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper discusses the translation of the novel Ground Up (2009) into Russian made by the author, Mikhail Idov, and published as Kofemolka (Coffee Grinder) in 2010. Since this has been the first example of self-translation in Russian-American prose since Nabokov, which M. Idov himself admitted, the approaches of the two writers are compared. The paper notes a deliberate combination of domestication and foreignization, which reflects the emigrant history of existence between two cultures and two languages mostly addressed to a bilingual reader. At the same time, the ludic principle is significant for both writers (verbalized in pseudo-comments, puns, ironic allusions) and it often determines their translation decisions.\",\"PeriodicalId\":107715,\"journal\":{\"name\":\"The Humanities And Social Studies In The Far East\",\"volume\":\"48 7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Humanities And Social Studies In The Far East\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31079/1992-2868-2023-20-1-87-91\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Humanities And Social Studies In The Far East","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31079/1992-2868-2023-20-1-87-91","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
SELF-TRANSLATION IN RUSSIAN-AMERICAN FICTION (MIKHAIL IDOV’S NOVEL GROUND UP)
The paper discusses the translation of the novel Ground Up (2009) into Russian made by the author, Mikhail Idov, and published as Kofemolka (Coffee Grinder) in 2010. Since this has been the first example of self-translation in Russian-American prose since Nabokov, which M. Idov himself admitted, the approaches of the two writers are compared. The paper notes a deliberate combination of domestication and foreignization, which reflects the emigrant history of existence between two cultures and two languages mostly addressed to a bilingual reader. At the same time, the ludic principle is significant for both writers (verbalized in pseudo-comments, puns, ironic allusions) and it often determines their translation decisions.
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