Aurine Carvalho Rocha, Josinelma Ferreira Rolande, Clara Marcelle de Sousa Abreu
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摘要

“身体、人工制品和运动:tentehar人编织和追踪艺术中的身体技术”的研究是对maranh州Arariboia土著土地上Guajajara/ tentehar人的编织和编织运动的分析。这项研究的目的是对用金属丝和纤维编织的人工制品进行分类,并观察在制作这些人工制品的过程中使用的身体技术,以构建当代舞蹈表演。在这项etnográfico研究中,有可能识别出用纱线编织和用巴巴苏纤维编织的tentehar文物。在此基础上,对编织和编织人工制品所涉及的身体技术进行了分类,并作为研究的最后过程,从睡眠吊床的结构中构建了当代舞蹈表演。现代舞表演让学生们可以跳出tentehar人的身体动作,从而实现现有的跨文化差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CORPO, ARTEFATO E MOVIMENTO TÉCNICAS CORPORAIS NA ARTE DE TECER E TRANÇAR ENTRE OS TENETEHAR
The research "BODY, ARTIFACT AND MOVEMENT: body techniques in the art of weaving and tracing among the Tenetehar" is an analysis of the movements of weave and braided among the Guajajara/Tenetehar peoples located in the Arariboia Indigenous Land, in the state of Maranhão. The objective of the research was to catalog artifacts woven with wire and braided with fibers and also to observe the body techniques used during the production of such artifacts for the construction of a contemporary dance performance. In this etnográfico research it was possible to identify between the Tenetehar artifacts both woven with yarn and braided by babassu fibers. From this, the cataloguing of body techniques involved in weaving and braiding artifacts was made and as the final process of the research a contemporary dance performance was constructed from the tessitura of the sleeping hammocks. The contemporary dance performance allowed students to dance the body movements cataloged among the Tenetehar realizing the existing cross-cultural diferences.
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