美术框架

Robert O. Gjerdingen
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引用次数: 0

摘要

几个世纪以来,法国艺术协会一直控制着法国王室或公众对艺术的支持。在它的羽翼下,它有一个视觉艺术学院和巴黎音乐学院,以及许多其他机构。美术学院和音乐学院也是沿着类似的路线建立起来的。其目标是培养下一代艺术家和音乐家在过去的黄金时代的经典艺术。对于视觉艺术家、雕塑家和建筑师来说,这意味着古希腊和罗马的艺术。对于音乐家来说,这意味着16至18世纪意大利的艺术。对于官方美术学院以外的年轻艺术家来说,教学用的平版版画可以购买和复制。这些平版版画展示了如何制作草图,然后将草图提炼成一组轮廓,然后添加阴影和纹理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Beaux-Arts Framework
The Institute of France has for centuries controlled royal or public support for the arts in France. Under its wings it has both a School of Fine Arts for the visual arts and the Paris Conservatory for music, as well as many other institutions. The schools of fine arts and music were set up along the similar lines. The goal was to train the next generation of artists and musicians in the classic arts of a past golden age. For visual artists, sculptors, and architects, this meant the art of ancient Greece and Rome. For musicians, this meant the art of sixteenth- to eighteenth-century Italy. For young artists outside the official School of Fine Arts, instructional lithographs could be purchased and copied. These lithographs showed how to make a sketch, then to refine the sketch into a set of contours, and then to add shading and texture.
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