《颠倒的雷蒙娜》:在尘埃中书写西班牙过去的疯狂

Dan Gardner
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引用次数: 0

摘要

在二十世纪之交,房地产推动者利用海伦·亨特·杰克逊(Helen Hunt Jackson) 1884年的小说《雷蒙娜》(Ramona)在全国的人气,尤其是小说中对西班牙过去的幻想,来推动南加州的发展。这部幻想小说的殖民话语运用了一种矛盾心理的刻板印象,将“走向西班牙”浪漫化,尽管它将墨西哥社区描绘成需要通过各种策略(包括遣返)进行征服的负担。约翰·凡特的《问尘》(1939)通过批判地模仿西班牙的过去,否定了殖民幻想的刻板印象。通过对《雷蒙娜》话语的颠倒,《问尘》揭露了幻想中的帝国主义怀旧,承认了殖民权威的地区意识的不稳定性,抗议了话语中的种族不公正,恢复了幻想中试图沉默的他者的声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A Ramona in reverse”: writing the madness of the Spanish past in ask the dust
At the turn of the twentieth century, real estate boosters seeking to promote southern California drew upon the national popularity of Helen Hunt Jackson’s 1884 novel Ramona, in particular its fantasy of the Spanish past. The fantasy’s colonial discourse deployed stereotypes marked by an ambivalence that romanticized “going Spanish” even as it portrayed Mexican communities as burdens necessitating subjugation through various strategies including repatriation. John Fante’s Ask the Dust (1939) repudiates the stereotype of the colonial fantasy by critically mimicking the Spanish past. By reversing the discourse of Ramona, Ask the Dust exposes the imperialist nostalgia of the fantasy, recognizes the instability of the regional sense of colonial authority, protests the racial injustice of the discourse, and recuperates the voice of the Other that the fantasy seeks to silence.
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