{"title":"扩展演奏技巧:乐器识别的下一个里程碑","authors":"V. Lostanlen, J. Andén, M. Lagrange","doi":"10.1145/3273024.3273036","DOIUrl":null,"url":null,"abstract":"The expressive variability in producing a musical note conveys information essential to the modeling of orchestration and style. As such, it plays a crucial role in computer-assisted browsing of massive digital music corpora. Yet, although the automatic recognition of a musical instrument from the recording of a single \"ordinary\" note is considered a solved problem, automatic identification of instrumental playing technique (IPT) remains largely underdeveloped. We benchmark machine listening systems for query-by-example browsing among 143 extended IPTs for 16 instruments, amounting to 469 triplets of instrument, mute, and technique. We identify and discuss three necessary conditions for significantly outperforming the traditional mel-frequency cepstral coefficient (MFCC) baseline: the addition of second-order scattering coefficients to account for amplitude modulation, the incorporation of long-range temporal dependencies, and metric learning using large-margin nearest neighbors (LMNN) to reduce intra-class variability. Evaluating on the Studio On Line (SOL) dataset, we obtain a precision at rank 5 of 99.7% for instrument recognition (baseline at 89.0%) and of 61.0% for IPT recognition (baseline at 44.5%). We interpret this gain through a qualitative assessment of practical usability and visualization using nonlinear dimensionality reduction.","PeriodicalId":430339,"journal":{"name":"Proceedings of the 5th International Conference on Digital Libraries for Musicology","volume":"126 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"42","resultStr":"{\"title\":\"Extended playing techniques: the next milestone in musical instrument recognition\",\"authors\":\"V. Lostanlen, J. Andén, M. Lagrange\",\"doi\":\"10.1145/3273024.3273036\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The expressive variability in producing a musical note conveys information essential to the modeling of orchestration and style. As such, it plays a crucial role in computer-assisted browsing of massive digital music corpora. Yet, although the automatic recognition of a musical instrument from the recording of a single \\\"ordinary\\\" note is considered a solved problem, automatic identification of instrumental playing technique (IPT) remains largely underdeveloped. We benchmark machine listening systems for query-by-example browsing among 143 extended IPTs for 16 instruments, amounting to 469 triplets of instrument, mute, and technique. We identify and discuss three necessary conditions for significantly outperforming the traditional mel-frequency cepstral coefficient (MFCC) baseline: the addition of second-order scattering coefficients to account for amplitude modulation, the incorporation of long-range temporal dependencies, and metric learning using large-margin nearest neighbors (LMNN) to reduce intra-class variability. Evaluating on the Studio On Line (SOL) dataset, we obtain a precision at rank 5 of 99.7% for instrument recognition (baseline at 89.0%) and of 61.0% for IPT recognition (baseline at 44.5%). We interpret this gain through a qualitative assessment of practical usability and visualization using nonlinear dimensionality reduction.\",\"PeriodicalId\":430339,\"journal\":{\"name\":\"Proceedings of the 5th International Conference on Digital Libraries for Musicology\",\"volume\":\"126 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"42\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 5th International Conference on Digital Libraries for Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3273024.3273036\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 5th International Conference on Digital Libraries for Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3273024.3273036","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 42
摘要
在制作音符时表现的变异性传达了对编排和风格建模至关重要的信息。因此,它在计算机辅助浏览大量数字音乐语料库方面起着至关重要的作用。然而,尽管从单个“普通”音符的录音中自动识别乐器被认为是一个已经解决的问题,但乐器演奏技术的自动识别(IPT)在很大程度上仍然不发达。我们在16种乐器的143个扩展ipt中对机器听力系统进行了按例查询浏览,共计469个乐器、静音和技术三联体。我们确定并讨论了显著优于传统mel-frequency倒谱系数(MFCC)基线的三个必要条件:增加二阶散射系数以考虑幅度调制,结合远程时间依赖性,以及使用大边界最近邻(LMNN)来减少类内变异性的度量学习。在Studio on Line (SOL)数据集上进行评估,我们获得了仪器识别的精度为99.7%(基线为89.0%),IPT识别的精度为61.0%(基线为44.5%)。我们通过对实际可用性的定性评估和使用非线性降维的可视化来解释这种增益。
Extended playing techniques: the next milestone in musical instrument recognition
The expressive variability in producing a musical note conveys information essential to the modeling of orchestration and style. As such, it plays a crucial role in computer-assisted browsing of massive digital music corpora. Yet, although the automatic recognition of a musical instrument from the recording of a single "ordinary" note is considered a solved problem, automatic identification of instrumental playing technique (IPT) remains largely underdeveloped. We benchmark machine listening systems for query-by-example browsing among 143 extended IPTs for 16 instruments, amounting to 469 triplets of instrument, mute, and technique. We identify and discuss three necessary conditions for significantly outperforming the traditional mel-frequency cepstral coefficient (MFCC) baseline: the addition of second-order scattering coefficients to account for amplitude modulation, the incorporation of long-range temporal dependencies, and metric learning using large-margin nearest neighbors (LMNN) to reduce intra-class variability. Evaluating on the Studio On Line (SOL) dataset, we obtain a precision at rank 5 of 99.7% for instrument recognition (baseline at 89.0%) and of 61.0% for IPT recognition (baseline at 44.5%). We interpret this gain through a qualitative assessment of practical usability and visualization using nonlinear dimensionality reduction.