组织和认知的变化:艺术投资领域的成长

Erica H. Coslor, C. Spaenjers
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引用次数: 26

摘要

研究知识的创造能告诉我们什么关于新技术领域是如何产生和发展的?本文展示了知识社区如何在购买前进行性能评估,以支持新产品的合法性。利用半个世纪以来的历史和人种学数据,我们通过认知文化的视角回顾了艺术投资领域的发展。关于艺术的金融特征的技术知识与关于如何最好地构建投资企业的实践知识一起发展。考虑到对投资的评估和监测的持久期望,投资企业的成功既取决于盈利能力,也取决于合法性。因此,知识、实践和工具的增长是承认艺术品作为一种资产类别的必要条件。至关重要的是,认识论文化方法强调深化知识、资源和专业技能,以及它们通过实验、失败和负面知识的发展。这表明会计问题有助于技术领域的合法性和出现,例如知识生产的作用,估值实践和接受环境,以及可估值的合法投资和投资风险盈利能力之间的区别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Organizational and Epistemic Change: The Growth of the Art Investment Field
What can studying the creation of knowledge tell us about how new technical fields emerge and develop? This paper shows how a knowledge community may be necessary to support the legitimacy of new products that undergo performance evaluation before purchase. Using historical and ethnographic data covering half a century, we review the growth of the art investment field through an epistemic cultures lens. Technical knowledge about the financial characteristics of art has been developed alongside practical knowledge about how best to structure investment ventures. Investment venture success has been determined by legitimacy as much as by profitability, given durable expectations about the evaluation and monitoring of investments. The growth of knowledge, practices and tools was thus a necessary condition for the recognition of artwork as an asset class. Crucially, the epistemic cultures approach highlights deepening knowledge, resources and professional expertise, and their development through experimentation, failures and negative knowledge. This shows accounting issues contributing to technical field legitimacy and emergence, such as the role of knowledge production, valuation practices and receptive environments, and the distinction between legitimate investments that can be valued and investment venture profitability.
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