{"title":"广播记录片审查笔记","authors":"Saul Carson","doi":"10.2307/1209386","DOIUrl":null,"url":null,"abstract":"SAUL CARSON contributes a weekly column of radio and television criticism to the New Republic and a monthly \"Report to the Listener\" to Radio & Television Best. He has also written on various phases of broadcasting for the Yale Law Review, Holiday, The Reporter, and other magazines including Variety, of which he was assistant radio editor. A founding member of the Radio-Television Critics Circle of New York, he is now at work on a book intended to stimulate constructive criticism of the broadcast arts.","PeriodicalId":128945,"journal":{"name":"Hollywood Quarterly","volume":"138 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1949-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Notes toward an Examination of the Radio Documentary\",\"authors\":\"Saul Carson\",\"doi\":\"10.2307/1209386\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"SAUL CARSON contributes a weekly column of radio and television criticism to the New Republic and a monthly \\\"Report to the Listener\\\" to Radio & Television Best. He has also written on various phases of broadcasting for the Yale Law Review, Holiday, The Reporter, and other magazines including Variety, of which he was assistant radio editor. A founding member of the Radio-Television Critics Circle of New York, he is now at work on a book intended to stimulate constructive criticism of the broadcast arts.\",\"PeriodicalId\":128945,\"journal\":{\"name\":\"Hollywood Quarterly\",\"volume\":\"138 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1949-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hollywood Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1209386\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hollywood Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1209386","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Notes toward an Examination of the Radio Documentary
SAUL CARSON contributes a weekly column of radio and television criticism to the New Republic and a monthly "Report to the Listener" to Radio & Television Best. He has also written on various phases of broadcasting for the Yale Law Review, Holiday, The Reporter, and other magazines including Variety, of which he was assistant radio editor. A founding member of the Radio-Television Critics Circle of New York, he is now at work on a book intended to stimulate constructive criticism of the broadcast arts.