治愈现代建筑与过去的决裂:围绕巴西开窗的沉思

P. Guedes
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摘要

本文关注的是巴西建筑师在将现代建筑从过度限制的正统中解放出来方面所起的作用。尤其值得一提的是,这项研究直接追踪了太平洋到澳大利亚的弱影响和南大西洋到非洲南部的强影响,巴西的思想在那里找到了肥沃的土壤,而没有经过北半球的过滤。来自澳大利亚和南非的官方建筑师代表团前往巴西寻求灵感和可转移的想法,取得了不同程度的成功。这篇文章的中心主题是最近发现和未发表的手稿。这是Barrie Biermann的作品,他于1946年从开普敦大学毕业后乘船前往巴西,通过1943年在纽约现代艺术博物馆(MoMA)举办的巴西建筑展览获得了世界闻名的建筑的第一手知识。Biermann与几位巴西著名建筑师的密切观察和讨论帮助他发展了一种新的叙事方式,将最近的发展与葡萄牙殖民建筑联系在一起,这些建筑从“东方”汲取了教训。1950年,它以一种非常节略的形式发表在一份专业杂志上,失去了原作的大部分魅力,除了富有想象力的理论推测,还丰富了令人回味的、大气的草图、水彩和照片。这项研究表明,南南联系是相当独立的,早于“如何在热带地区建造”的“科学”手册的影响,这些手册在20世纪50年代中期从大都市中心扩散开来,为非殖民化做准备,但也可能是出于产生其他形式依赖的野心。巴西的思想和建筑工程的例子在为非洲的一些建筑带来活力方面发挥了重要作用。他们还参与了身份的关键问题和建筑的生产,以庆祝超越功利主义的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Healing Modern Architecture’s Break with the Past: Musings around Brazilian Fenestration
This paper focuses on the role of Brazilian architects in emancipating Modern Architecture from overly limiting orthodoxies. In particular, this study follows direct, if weak influences across the Pacific to Australia and stronger ones across the South Atlantic to Southern Africa, where Brazilian ideas found fertile ground without being filtered through Northern Hemisphere mediations. Official delegations of architects from Australia and South Africa went to Brazil seeking inspiration and transferable ideas achieved mixed success. Central to the theme of this essay is a recently discovered and unpublished manuscript. It is the work of Barrie Biermann who, upon graduation from the University of Cape Town sailed across to Brazil in 1946 to gain first-hand knowledge of the architecture that had achieved worldwide renown through the 1943 Brazil Builds exhibition at the Museum of Modern Art in New York (MoMA). Biermann’s close observations and discussions with several of Brazil’s leading architects helped him develop a fresh narrative that placed recent developments in a continuum linked to Portuguese colonial architecture that had taken lessons from the ‘East’. Published in a very abridged form in a professional journal in 1950, it lost much of the charm of the original, which, in addition to imaginative theoretical speculation, is enriched by evocative, atmospheric sketches, water colours and photographs. This study shows that South-South connections were quite independent and predated the influence of ‘scientific’ manuals of ‘how-to build in the tropics’ that proliferated from metropolitan centres in the mid-1950s, preparing for decolonization but perhaps also motivated by ambitions of engendering other forms of dependence. Brazilian ideas and examples of built work played an important role in bringing vitality to some of the architectures of Africa. They also engaged with crucial issues of identity and the production of buildings celebrating values beyond the utilitarian.
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