{"title":"alicia婚姻和死亡都将在电影里的时间安排","authors":"Natascha Frankenberg","doi":"10.14361/9783839456767-023","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":402294,"journal":{"name":"Queere Zeitlichkeiten in dokumentarischen Filmen","volume":"46 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"5.1 Ehe und Tod als zeitliche Strukturen im Film\",\"authors\":\"Natascha Frankenberg\",\"doi\":\"10.14361/9783839456767-023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":402294,\"journal\":{\"name\":\"Queere Zeitlichkeiten in dokumentarischen Filmen\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Queere Zeitlichkeiten in dokumentarischen Filmen\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/9783839456767-023\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Queere Zeitlichkeiten in dokumentarischen Filmen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839456767-023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}