预言雕像

Mateusz J. Ferens
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引用次数: 0

摘要

拜占庭的启示录传统充斥着充满活力的预言。其中许多与君士坦丁堡的纪念碑和雕像有关,其中许多在拜占庭人和他们的皇帝在政治危机中的决策中发挥了关键作用。在我的论文中,我将重点放在预言雕像的关键例子上,这些雕像展示了皇帝和公民积极尝试利用预兆和预言,并使它们符合期望的叙述。我支持保罗·马格达利诺(Paul Magdalino)的论点,即预言在拜占庭社会中发挥了积极的作用——作为历史的原因而不仅仅是结果。这些证据使我得出结论,预言在拜占庭社会中起着活生生的叙事作用。它们以物质为基础,可以用来控制历史和命运。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prophesying Statues
The Byzantine apocalyptic tradition proliferates with vibrant prophecies. Many of these were associated with monuments and statues within Constantinople, and many of them played a pivotal role in the decisions of the Byzantines and their emperors in political crises. In my paper, I focus on key examples of prophesying statues that showcase the active attempts made by emperors and citizens to harness omens and prophesies and to conform them to desired narratives. I support Paul Magdalino’s thesis that prophesies functioned actively in Byzantine society – as causes and not just effects of history. The evidence leads me to conclude that prophecies functioned as living narratives in Byzantine society. Grounded in material objects, they could be used to control history and fate.
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