文学和戏剧的复原力:从经典和(后)现代角色到症候群的堂吉诃德

Ana-Magdalena Petraru
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引用次数: 0

摘要

塞万提斯笔下的堂吉诃德是一个经典的神话人物,在他的论文《堂吉诃德与桑丘的生活》中,米格尔·德·乌纳穆诺从哲学的角度进行了探讨,这篇论文发表于1905年,是关于西班牙文学的;最近,我们从后现代甚至后殖民的角度惊叹于Salman Rushie (Quichotte, 2019)和国家剧院Iași舞台上卡门多米特(Carmen Dominte)的作品,卡门多米特最初提议将《堂吉诃德综合症》(2021)作为一种戏剧表演来阅读。在不涉及各种艺术的改编(明库斯的芭蕾)的情况下,我们将参考上述文本研究一个角色的复原力,以及它在舞台上留下的东西,并深入了解适应理论和在大流行疏远背景下的戏剧解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary and Theatrical Resilience: Quixote, from Classic and (Post)Modern Character, to Syndrome
A classic character brought to myth rank, Cervantes’s Quixote was tackled philosophically, by Miguel de Unamuno in his essay Vida de Don Quixote y Sancho, 1905 on the realm of Spanish literature; we have been recently amazed from a postmodern, even postcolonial perspective, by Salman Rushie (Quichotte, 2019) and dramatically on the stage of the National Theatre of Iași by Carmen Dominte who initially proposed The Quixote Syndrome (2021) as a theatrical performance meant to be read. Without dealing with the adaptations in various arts (Minkus’s ballet), we will study the resilience of a character with reference to the above texts and what was left of it on stage with insights into adaptation theory and theatrical interpretation in the context of pandemic distancing.
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