简短提及与抒情词汇:玛丽安·摩尔在《表盘与观察》中对词典的回应

T. Stubbs
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引用次数: 0

摘要

1925年对诗人兼编辑玛丽安·摩尔来说是重要的一年。首先,她开始承担美国文学杂志《the Dial》的编辑职责,接替她的前任斯科菲尔德·塞耶(Scofield Thayer)。其次,她看到自己的作品集《观察》出版了,第一版在一个月内售罄。此时,摩尔对词典的兴趣显示了她的批判性和创造性生活之间一些有趣的重叠,这在摩尔的研究中仍然是一个未被探索的领域。因此,在将注意力转向摩尔的诗歌《不明智的园艺》和《婚姻》之前,本章将讨论摩尔对一系列参考作品的早期评论,以展示摩尔对定义问题的关注如何变得更具颠覆性,并揭示她对“定义”本身概念的反复无常的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Briefer Mentions and Lyrical Lexicons: Marianne Moore’s Responses to Dictionaries in The Dial and Observations
1925 was an important year for the poet and editor Marianne Moore. First, she began assuming editorial responsibility for the American literary magazine The Dial, taking over from her predecessor Scofield Thayer. Second, she saw her collection Observations published, with the first edition selling out within a month. Moore’s interest in dictionaries at this time displays some intriguing overlaps between her critical and creative lives, still an underexplored area within Moore studies. Therefore, this chapter discusses Moore’s early reviews of a range of reference works, before turning its attention to Moore’s poems ‘Injudicious Gardening’ and ‘Marriage’, to demonstrate how Moore’s preoccupation with questions of definition becomes altogether more subversive, and revealing of her capricious attitude towards the notion of ‘definition’ itself.
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