{"title":"蜜糖陷阱文化现象的解读","authors":"Y. Bao","doi":"10.2991/ASSEHR.K.210313.063","DOIUrl":null,"url":null,"abstract":"In the patriarchal society of ancient China, women were subordinate to men. Men sacrifice women to achieve their goals. Xi Shi in Huansha Ji and Diao Chan in Romance of the Three Kingdoms are the injured women in the Honey-trap. The reasons, process and results of the use of the Honey-trap well explain the cultural connotation.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"117 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interpretations of the Phenomenon of the Honey-Trap Culture\",\"authors\":\"Y. Bao\",\"doi\":\"10.2991/ASSEHR.K.210313.063\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the patriarchal society of ancient China, women were subordinate to men. Men sacrifice women to achieve their goals. Xi Shi in Huansha Ji and Diao Chan in Romance of the Three Kingdoms are the injured women in the Honey-trap. The reasons, process and results of the use of the Honey-trap well explain the cultural connotation.\",\"PeriodicalId\":244179,\"journal\":{\"name\":\"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)\",\"volume\":\"117 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/ASSEHR.K.210313.063\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/ASSEHR.K.210313.063","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Interpretations of the Phenomenon of the Honey-Trap Culture
In the patriarchal society of ancient China, women were subordinate to men. Men sacrifice women to achieve their goals. Xi Shi in Huansha Ji and Diao Chan in Romance of the Three Kingdoms are the injured women in the Honey-trap. The reasons, process and results of the use of the Honey-trap well explain the cultural connotation.