诺贝尔奖之路与散居非洲作家分类

Zhu Zhenwu, Hua Lingya
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引用次数: 0

摘要

当坦桑尼亚作家阿卜杜拉扎克·古尔纳在2021年获得诺贝尔文学奖时,许多人认为这是诺贝尔奖的又一个“惊喜”,但事实并非如此。该奖项已有120年的历史,迄今已颁发给118位作家,其中7位是非洲作家。这一比例确实不高,但无疑高于亚洲、南美、澳大利亚和其他一些地区。仔细研究非洲作家的作品,可以让我们感受到开放广阔的文化视野和包容包容的人文精神,捕捉到他们作品中独特的审美表现、文化意蕴和地域元素。并且与其他地区文献相比,散居综合症尤为突出。可以说,本土散居、海外散居和殖民散居构成了非洲文学的主要特征,也构成了诺贝尔奖作家的三种类型。古尔纳获奖再次证明,非洲文学的丰富性、包容性和前瞻性,对促进世界文学的多样性和人类文明新形态的真正出现发挥了积极作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Road to Nobel Prize and the Diaspora Classification of African Writers
When the Tanzanian writer Abdulrazak Gurnah won the Nobel Prize for literature in 2021, many people thought it was another “surprise” of the Nobel Prize, but that is not the case. The Prize has a history of 120 years and has so far been awarded to 118 writers, seven of whom are African writers. The proportion is not high indeed, but it is undoubtedly higher than that in Asia, South America, Australia and some other regions. A careful study of the works of African writers will enable us to perceive the open and broad cultural vision and the inclusive and tolerant humanistic spirit, and to capture the unique aesthetic representation, cultural implication and regional elements in their works. And in comparison with the literature of other regions diaspora syndrome is particularly prominent. Local diaspora, foreign diaspora, and colonial diaspora, so to speak, constitute both the main features of African literature and the three types of Nobel Prize writers. Gurnah’s reception of the award once again proves that the richness, inclusiveness and foresight of African literature play a positive role in promoting the diversity of world literature and the real emergence of new forms of human civilization.
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