电视和自我的反身工程:肥皂剧、青少年谈话和混合身份。

C. Barker
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引用次数: 73

摘要

本文的目的是对电视肥皂剧作为一种资源在青少年身份认同工作中的作用进行定性研究。中心的方法策略是使年轻人能够自己进行研究。研究人员招募了20组年龄在14-15岁之间的年轻人,让他们在没有成年人在场的情况下谈论肥皂剧。本文的重点是从日常会话和练习的无序流动中了解语言的形成性。我认为女孩们用两种语法形式构建反身性身份。身份体现在语言的流动以及“我”的自我叙述中。我主要关注的是在英国亚裔女孩中产生的多重混合身份。他们认为自己是亚洲人,但通过参与英国文化的其他领域,他们与传统的某些方面保持距离。他们既置身于英国社会又置身于亚洲文化之外。这些身份因性别关系而变得复杂,因此种族和性别身份“相互交叉或错位”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Television and the reflexive project of the self: soaps, teenage talk and hybrid identities.
The purpose of this paper is to report on qualitative research into the role of television soap opera as a resource employed by teenagers in identity work. The central methodological strategy has been to enable young people to do the research themselves. Twenty groups of young people (aged 14-15) were recruited to talk about soap opera without an adult presence. The stress in the paper is on the formative nature of language in lending form to ourselves from the disorderly flow of everyday talk and practice. I argue that the girls construct reflexive identities in two grammatical forms. Identities are instanciated in the flow of language as well as in the self-narrative of 'I'. I am centrally concerned with the production of multiple, hybrid identities amongst British Asian girls. They see themselves as Asian yet distance themselves from aspects of tradition by virtue of their participation in other domains of British culture. They are both in and out of British society and Asian culture. These identities are complicated by gender relations so that ethnic and gender identities 'cross-cut or dislocate each other'.
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