“你真的喜欢现代戏剧吗?”——贝克特在商业电视上说

J. Bignell
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引用次数: 0

摘要

电视是20世纪下半叶英国最重要的流行媒体,贝克特的作品一直在英国广播公司(BBC)播出,这家英国非商业电视广播公司自20世纪50年代中期以来就一直在广播中播放他的作品。但贝克特的作品也出现在独立电视台(ITV)上,这是一个由商业资助的英国电视频道,成立于1955年,与BBC竞争。商业性的ABC电视公司于1966年为ITV制作了电视剧《当下的舞台》。《电视时报》(TV Times)的清单杂志在宣布这部剧的特写中问道:“你真的喜欢《愤怒回望》或《等待戈多》这样的现代剧吗?”为期13周的新系列《当下的舞台》将于下周日开始,旨在帮助您欣赏和理解现代戏剧。”这部剧是根据约翰·克肖的一本畅销书改编的,除了贝克特的戏剧,它还讲述了剧作家阿诺德·韦斯克、马克斯·弗里施、尤金·尤尼斯科和哈罗德·品特的戏剧,他们都是当时伦敦戏剧界的标志性人物。该系列在周日播出,紧随家庭装修节目,本章询问ITV频道在电视教堂服务和家庭装饰建议中播放关于贝克特戏剧的节目意味着什么。这一章将贝克特的戏剧置于英国文化动态不稳定的背景下,当时大众和精英的分类正在受到质疑,以证明ITV的节目促成了一场文化革命。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Do You Really Enjoy the Modern Play?”: Beckett on Commercial Television
Television was the key popular medium of the second half of the twentieth century in the UK, and Beckett’s work was consistently aired by BBC, the British non-commercial TV broadcaster that had already featured his work on radio since the mid-1950s. But Beckett’s work also appeared on Independent Television (ITV), the commercially-funded British television channel set up in 1955 to rival BBC. The commercial ABC TV company made the series The Present Stage for ITV in 1966. In its feature announcing the series, the TV Times listings magazine asked “Do you really enjoy the modern play like Look Back in Anger or Waiting for Godot? A new 13-week series, The Present Stage, starts next Sunday and is designed to help you enjoy and understand modern plays.” The series was based on a popular book by John Kershaw, and alongside Beckett’s drama it dealt with plays by the dramatists Arnold Wesker, Max Frisch, Eugene Ionesco and Harold Pinter, each of which were landmarks in London theatre at the time. The series was broadcast on Sundays, following a home improvement programme, and this chapter asks what it meant for the ITV channel to screen a programme about Beckett’s drama amongst televised church services and home decor advice. The chapter places Beckett’s drama in the context of dynamic instability in British culture, when the categories of the popular and the elite were being contested, to argue that ITV’s programme contributed to a cultural revolution.
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