{"title":"新现实主义与布鲁斯在查尔斯·伯内特的《杀羊人》中相遇","authors":"Keith Mehlinger","doi":"10.14198/QDCINE.2011.7.10","DOIUrl":null,"url":null,"abstract":"very existence of the blues tradition is irrefutable evidence that those who evolved it respond to the vicissitudes of the human condition not with hysterics and desperation, but through the wisdom of poetry informed by pragmatic insight”","PeriodicalId":322475,"journal":{"name":"From Street to Screen","volume":"380 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"NEOREALISM MEETS THE BLUES IN CHARLES BURNETT’S KILLER OF SHEEP\",\"authors\":\"Keith Mehlinger\",\"doi\":\"10.14198/QDCINE.2011.7.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"very existence of the blues tradition is irrefutable evidence that those who evolved it respond to the vicissitudes of the human condition not with hysterics and desperation, but through the wisdom of poetry informed by pragmatic insight”\",\"PeriodicalId\":322475,\"journal\":{\"name\":\"From Street to Screen\",\"volume\":\"380 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"From Street to Screen\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14198/QDCINE.2011.7.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"From Street to Screen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14198/QDCINE.2011.7.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
NEOREALISM MEETS THE BLUES IN CHARLES BURNETT’S KILLER OF SHEEP
very existence of the blues tradition is irrefutable evidence that those who evolved it respond to the vicissitudes of the human condition not with hysterics and desperation, but through the wisdom of poetry informed by pragmatic insight”
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