{"title":"关于Laura juarez和Pilar Cimadevilla(比较)。感伤的流浪汉。罗伯托·阿尔特的25幅未发表的蚀刻画选集。布宜诺斯艾利斯:Erizo Ediciones, 2018。25 pp。","authors":"Lucía Reitano","doi":"10.35305/sa.v2i14.203","DOIUrl":null,"url":null,"abstract":"<jats:p>x</jats:p>","PeriodicalId":407560,"journal":{"name":"Saga. Revista de Letras","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sobre Laura Juárez y Pilar Cimadevilla (Comps.). El vagabundo sentimental. Selección de veinticinco Aguafuertes inéditas de Roberto Arlt. Buenos Aires: Erizo Ediciones, 2018. 25 pp.\",\"authors\":\"Lucía Reitano\",\"doi\":\"10.35305/sa.v2i14.203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<jats:p>x</jats:p>\",\"PeriodicalId\":407560,\"journal\":{\"name\":\"Saga. Revista de Letras\",\"volume\":\"69 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Saga. Revista de Letras\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35305/sa.v2i14.203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Saga. Revista de Letras","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35305/sa.v2i14.203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Sobre Laura Juárez y Pilar Cimadevilla (Comps.). El vagabundo sentimental. Selección de veinticinco Aguafuertes inéditas de Roberto Arlt. Buenos Aires: Erizo Ediciones, 2018. 25 pp.
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