{"title":"克里斯蒂娜·罗塞蒂和艾米丽·拉塔科夫斯基有什么共同之处?:女性模特与男性艺术家关系中的性别权力动态","authors":"Nakita Funk","doi":"10.32396/usurj.v7i2.605","DOIUrl":null,"url":null,"abstract":"\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nIn her work, the Victorian poet Christina Rossetti explored women’s issues such as the objectification of women and the unequal standards that women were held to. One such issue, demonstrated in “In an Artist’s Studio,” was the controlling and manipulative relationship between the male artist and the voiceless women they immortalize in poetry and visual art. In the twenty-first century, the relationship between female muse and male artist remains complicated and often victimizing, as outlined by Emily Ratajkowski’s essay on her experiences as a supermodel. Common themes between Rossetti’s poetry and Ratajkowski’s essay demonstrate that male artists historically and currently require female models to conform to standards that are male-defined and unattainable, forcing the model to disassociate her body from her identity to perform her job. However, female artists and models redefining beauty standards and reuniting their identities with their bodies suggest that the future of modelling will give the model control over her own image. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ","PeriodicalId":351398,"journal":{"name":"USURJ: University of Saskatchewan Undergraduate Research Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What Do Christina Rossetti and Emily Ratajkowski Have in Common?: Gendered Power Dynamics in the Relationship Between the Female Model and the Male Artist\",\"authors\":\"Nakita Funk\",\"doi\":\"10.32396/usurj.v7i2.605\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\nIn her work, the Victorian poet Christina Rossetti explored women’s issues such as the objectification of women and the unequal standards that women were held to. One such issue, demonstrated in “In an Artist’s Studio,” was the controlling and manipulative relationship between the male artist and the voiceless women they immortalize in poetry and visual art. In the twenty-first century, the relationship between female muse and male artist remains complicated and often victimizing, as outlined by Emily Ratajkowski’s essay on her experiences as a supermodel. Common themes between Rossetti’s poetry and Ratajkowski’s essay demonstrate that male artists historically and currently require female models to conform to standards that are male-defined and unattainable, forcing the model to disassociate her body from her identity to perform her job. However, female artists and models redefining beauty standards and reuniting their identities with their bodies suggest that the future of modelling will give the model control over her own image. \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \\n \",\"PeriodicalId\":351398,\"journal\":{\"name\":\"USURJ: University of Saskatchewan Undergraduate Research Journal\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"USURJ: University of Saskatchewan Undergraduate Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32396/usurj.v7i2.605\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"USURJ: University of Saskatchewan Undergraduate Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32396/usurj.v7i2.605","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
What Do Christina Rossetti and Emily Ratajkowski Have in Common?: Gendered Power Dynamics in the Relationship Between the Female Model and the Male Artist
In her work, the Victorian poet Christina Rossetti explored women’s issues such as the objectification of women and the unequal standards that women were held to. One such issue, demonstrated in “In an Artist’s Studio,” was the controlling and manipulative relationship between the male artist and the voiceless women they immortalize in poetry and visual art. In the twenty-first century, the relationship between female muse and male artist remains complicated and often victimizing, as outlined by Emily Ratajkowski’s essay on her experiences as a supermodel. Common themes between Rossetti’s poetry and Ratajkowski’s essay demonstrate that male artists historically and currently require female models to conform to standards that are male-defined and unattainable, forcing the model to disassociate her body from her identity to perform her job. However, female artists and models redefining beauty standards and reuniting their identities with their bodies suggest that the future of modelling will give the model control over her own image.