克里斯蒂娜·罗塞蒂和艾米丽·拉塔科夫斯基有什么共同之处?:女性模特与男性艺术家关系中的性别权力动态

Nakita Funk
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引用次数: 0

摘要

维多利亚时代的诗人克里斯蒂娜·罗塞蒂(Christina Rossetti)在她的作品中探讨了女性问题,如女性的物化和女性所遵循的不平等标准。“在艺术家的工作室里”展示了这样一个问题,即男性艺术家与他们在诗歌和视觉艺术中不朽的沉默女性之间的控制和操纵关系。在21世纪,女性缪斯和男性艺术家之间的关系仍然复杂,而且往往是受害的,正如艾米丽·拉塔科夫斯基(Emily Ratajkowski)在她作为超模的经历中所概述的那样。罗塞蒂的诗歌和拉塔科夫斯基的文章之间的共同主题表明,男性艺术家在历史上和现在都要求女性模特遵守男性定义的和无法达到的标准,迫使模特将她的身体与她的身份分离开来以完成她的工作。然而,女性艺术家和模特重新定义了审美标准,并将她们的身份与她们的身体重新统一起来,这表明模特的未来将让模特控制自己的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What Do Christina Rossetti and Emily Ratajkowski Have in Common?: Gendered Power Dynamics in the Relationship Between the Female Model and the Male Artist
In her work, the Victorian poet Christina Rossetti explored women’s issues such as the objectification of women and the unequal standards that women were held to. One such issue, demonstrated in “In an Artist’s Studio,” was the controlling and manipulative relationship between the male artist and the voiceless women they immortalize in poetry and visual art. In the twenty-first century, the relationship between female muse and male artist remains complicated and often victimizing, as outlined by Emily Ratajkowski’s essay on her experiences as a supermodel. Common themes between Rossetti’s poetry and Ratajkowski’s essay demonstrate that male artists historically and currently require female models to conform to standards that are male-defined and unattainable, forcing the model to disassociate her body from her identity to perform her job. However, female artists and models redefining beauty standards and reuniting their identities with their bodies suggest that the future of modelling will give the model control over her own image.    
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