尤金·奥尼尔《给私生子的月亮》中女人的描绘

Ismael Hasan Obaid Alsanafi
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摘要

目前的研究旨在发现女性是如何被描绘的,以及性别角色是如何被定义和描述在尤金·奥尼尔的《私生子的月亮》中。这篇论文的重要性是从性别这个广泛的主题中获得的。描绘女性是一个非常适合许多领域和领域的话题,发现一个领域的性别类型的影响有助于理解另一个领域的性别。本研究的目的是揭示剧作家超越西方形而上学中狭隘的女性形象的潜力,描绘他在戏剧中采用的与性别功能相关的女性取向、感知和意见的方式。本文主要研究尤金·奥尼尔笔下的女主人公;(乔西·霍根),因为她反映了剧作家对女性在男性主导的社会中得到承认、自我实现和融入的日益关注。尤金·奥尼尔;剧作家已经证明,创作这部剧的行为可以像一面镜子一样反映出他所处的当代文化的生活方式、风俗习惯和价值观,这些被认为是对任何社会的本质批评。研究得出的结论是,乔西·霍根在精神上和身体上都被描述为一个理想主义的女人,她代表了吉姆·泰伦的重要部分,她不是一个传统的刻板印象中的女人,她在剧中为其他人奉献和牺牲了自己。她将剧作家的复合女主角和他对自我舍弃的最全面的描述戏剧化了,她没有被描绘成一个失败的性别,而是一个极度意识到自己社会和文化局限性的女性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Depic ting of the Woman in Eugene O'Neill’s A Moon for the Misbegotten
The current study aims to discover how the woman was depicted and the way gender roles were defined and described in Eugene O'Neill’s “A Moon for the Misbegotten”. The importance of this paper is obtained from the broad subject of gender in general. Depicting women is highly suitable topic to many domains and fields to discover the impact of sex type in one domain donates to the comprehension of sex in another domain. The purpose of this study is to expose the playwright’s potentiality to go beyond a narrow image of the woman in the western metaphysics, to depict the way he adopted in his play to present female’s orientations, perceptions, and opinions associated with gender functions. This paper focuses on Eugene O'Neill's heroine; (Josie Hogan) as she reflected the playwright's increasing concern for woman's acknowledgement, self- fulfillment, and integration in a man dominated society. Eugene O’Neill; the playwright, has demonstrated that the act of composing this play, can play just like a mirror to reflect his contemporary given culture's lifestyle, mores, and values, by which these are considered the essence critiques of any society. The study has concluded that, Josie Hogan was described as an idealistic lady both mentally and physically, she represented the essential part of Jim Tyron, she was not a traditional stereotypical woman, she devoted and sacrificed herself for other people in the play. She dramatized the playwright’s composite heroine and his most comprehensive description of self-renunciation, she was not depicted as a defeated sex but a female who extremely aware of her own social and cultural limitations.
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