《回到菲特丽》(back to Fitri)一集中的宗教视觉交流符号

Dudi Rustandi, Anna Noviana
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引用次数: 1

摘要

本研究旨在寻找电影Preman Pensiun版《Kembali ke Fitri》中图像符号的答案和解释。运用解释性建构范式,运用福柯的符号学方法。数据收集来自电影场景的片段。结果表明,虽然影片不是宣传片,也不是宗教片,退休的暴徒也没有假装成宣传片,但宗教在人类生活中的力量使得影片中自然的象征非常强烈。影片描绘了想要维持家庭的穆斯林和乌江人的形象。关于本研究的意义,首先是学术理论意义。宗教的象征意义是给人类的一种不可否认的信息。实际上,宗教符号在电影中成为了“达瓦”的一个方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Preman Pensiun dan Kuasa Agama: Semiotika Visual Komunikasi Religius dalam Episode “Kembali Ke Fitri”
This study aims to find answers and interpretations of the image symbols in the film Preman Pensiun edition of “Kembali ke Fitri”. Using an interpretive constructive paradigm, using Foucault's semiotic approach. Data collection comes from pieces of the film scene. The results show that although the film is not a propaganda film or a religious film and the retired thugs do not pretend to be a propaganda film, the strength of religion in human life makes the symbols of nature in the film very strong. The film depicts the figures of Muslihat and Ujang who want to maintain their household. As for the implications of this research, the first is academically theoretical. The symbolic aspect of religion is a message for mankind that cannot be denied. Practically, religious symbols become aspects of da'wah in the film.
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