{"title":"帝国边缘的转型","authors":"R. Ousterhout","doi":"10.1093/oso/9780190272739.003.0013","DOIUrl":null,"url":null,"abstract":"During the seventh century in the Caucasus, Armenia and Georgia witnessed a remarkable period of architectural production and creativity. The Ṭur ‘Abdin witnessed a flourishing at the same time, while architecture in other areas, such as Cyprus, Egypt, and Nubia, developed in relative isolation. With the emergence of Islam in the Near East, by the end of the seventh century, new architectural forms were developed to serve the new religion, dependent on the earlier Byzantine tradition and probably executed by Byzantine artisans.","PeriodicalId":258635,"journal":{"name":"Eastern Medieval Architecture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transformation at the Edges of Empire\",\"authors\":\"R. Ousterhout\",\"doi\":\"10.1093/oso/9780190272739.003.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the seventh century in the Caucasus, Armenia and Georgia witnessed a remarkable period of architectural production and creativity. The Ṭur ‘Abdin witnessed a flourishing at the same time, while architecture in other areas, such as Cyprus, Egypt, and Nubia, developed in relative isolation. With the emergence of Islam in the Near East, by the end of the seventh century, new architectural forms were developed to serve the new religion, dependent on the earlier Byzantine tradition and probably executed by Byzantine artisans.\",\"PeriodicalId\":258635,\"journal\":{\"name\":\"Eastern Medieval Architecture\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eastern Medieval Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190272739.003.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eastern Medieval Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190272739.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
During the seventh century in the Caucasus, Armenia and Georgia witnessed a remarkable period of architectural production and creativity. The Ṭur ‘Abdin witnessed a flourishing at the same time, while architecture in other areas, such as Cyprus, Egypt, and Nubia, developed in relative isolation. With the emergence of Islam in the Near East, by the end of the seventh century, new architectural forms were developed to serve the new religion, dependent on the earlier Byzantine tradition and probably executed by Byzantine artisans.