查尔斯·狄更斯的死后生活:他死后对19世纪唯心论的影响

Lorena N. MacMillan
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引用次数: 1

摘要

虽然查尔斯·狄更斯是一个狂热的怀疑论者,但人们发现他生前和死后都曾与通灵团体进行过对话。在通灵界,狄更斯的名字最有趣的用法是通过美国的灵媒t·p·詹姆斯,他被称为狄更斯的灵媒,并在他用“查尔斯·狄更斯的灵笔”出版了《埃德温·德鲁德之谜第二部分》(1873年)后变得流行起来。除了手稿本身的出版,唯心主义出版社的作家们很快就试图证明或反驳文本的有效性。后来,詹姆斯创办了自己的灵媒杂志《夏日信使》(The Summerland Messenger, 1874),继续发表“查尔斯·狄更斯的灵笔”撰写的短篇小说和社会评论。本文将分析詹姆斯在第二部中包含的各种招魂信息,并将其与狄更斯原著中的超自然主题联系起来。它将检验詹姆斯声称他的手稿是用查尔斯·狄更斯的精神笔写成的,评估文本及其对读者的影响。它的结论是,詹姆斯和唯心论出版社利用狄更斯的作品和名字来增加唯心论的追随者,证明唯心论的核心是一个读者群体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Afterlife of Charles Dickens: His Posthumous Impact on Nineteenth-Century Spiritualism
abstract:Although an avid skeptic, Charles Dickens can be found having conversations with spiritualist communities while he was alive—and after he was dead. The most intriguing use of Dickens's name in the spiritualist community was through the American medium T. P. James, who became known as Dickens's medium, and gained popularity when he published Part Second of the Mystery of Edwin Drood (1873) from the "spirit-pen of Charles Dickens." In addition to the publication of the manuscript itself, writers for the spiritualist press were quick to attempt to prove or disprove the text's validity. Later, James started his own spiritualist magazine, The Summerland Messenger (1874), which continued to publish short stories and social commentary from the "spirit-pen of Charles Dickens." This article will analyze the various spiritualist messages that James included in Part Second while connecting it to the supernatural themes present in Dickens's original novel. It will examine James's claim that his manuscript was written through the spirit-pen of Charles Dickens, evaluating the text and its influence on its audience. It concludes that James, and the spiritualist press, used Dickens's work and name to increase the followers of Spiritualism, proving that it was at its core, a community of readers.
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