{"title":"为小事流汗:福克纳《我弥留之际》中形式的物质性","authors":"James Harding","doi":"10.1353/fau.2016.0002","DOIUrl":null,"url":null,"abstract":"The essay explores the materialist capacities of the first person pronoun in William Faulkner's 1930 novel As I Lay Dying. Through linked close readings, the essay builds a case for the pronoun as a socially mediated response to the alienations attendent upon emergent capitalism in the US South; and it draws out unmade links between labour (as a magnitude of value and aesthetic measure) and the commodity form in its social - and increasingly international - contexts. Drawing out new links between American and French modernisms, the essay sheds new light on the relation between intellectual and manual labour in the context of a modernising South.","PeriodicalId":208802,"journal":{"name":"The Faulkner Journal","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sweating on the Small Stuff: The Materiality of Form in Faulkner’s As I Lay Dying\",\"authors\":\"James Harding\",\"doi\":\"10.1353/fau.2016.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essay explores the materialist capacities of the first person pronoun in William Faulkner's 1930 novel As I Lay Dying. Through linked close readings, the essay builds a case for the pronoun as a socially mediated response to the alienations attendent upon emergent capitalism in the US South; and it draws out unmade links between labour (as a magnitude of value and aesthetic measure) and the commodity form in its social - and increasingly international - contexts. Drawing out new links between American and French modernisms, the essay sheds new light on the relation between intellectual and manual labour in the context of a modernising South.\",\"PeriodicalId\":208802,\"journal\":{\"name\":\"The Faulkner Journal\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Faulkner Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/fau.2016.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Faulkner Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/fau.2016.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Sweating on the Small Stuff: The Materiality of Form in Faulkner’s As I Lay Dying
The essay explores the materialist capacities of the first person pronoun in William Faulkner's 1930 novel As I Lay Dying. Through linked close readings, the essay builds a case for the pronoun as a socially mediated response to the alienations attendent upon emergent capitalism in the US South; and it draws out unmade links between labour (as a magnitude of value and aesthetic measure) and the commodity form in its social - and increasingly international - contexts. Drawing out new links between American and French modernisms, the essay sheds new light on the relation between intellectual and manual labour in the context of a modernising South.
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