Dorota Jędruch
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引用次数: 0

摘要

本文致力于探讨苏雷尼斯露天学校(由E. Beaudoin和M. Lods设计,1932-1935)的学校家具设计和其他室内设计元素之间的关系,以及伴随其建设的教学和社会假设。讨论了学校的功能和家具在这个项目中扮演的角色,以及家具设计如何回应国际户外学校运动的有趣教学计划。第二部分论述了两次世界大战期间法国学校家具设计的主要趋势。建筑师对学校建筑及其设备设计中所谓“新教育”问题的理论观点(主要是Maurice Barret发表在architectural’aujourd’hui上的文本和项目)。家具设计的趋势是在那个时代的教学理念的背景下呈现的:玛丽亚·蒙台梭利的教学法和教学的进步趋势,在这种影响下,教室空间开始被设计成具有灵活功能的房间,这要归功于使用现代形状和材料的轻便多功能学校家具等特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Szkoła na wolnym powietrzu – projekty mebli E. Beaudoina i M. Lodsa dla szkoły w Suresnes (1932–1935) w świetle przemian w pedagogice i projektowaniu wnętrz szkolnych we Francji lat 20. i 30. XX wieku
The essay is devoted to the relationship between the design of school furniture and other interior design elements in the open-air school (école de plain air) in Suresnes (designed by E. Beaudoin and M. Lods, 1932–1935) and the pedagogical and social assumptions accompanying its construction. The functioning of the school and the role that furniture plays in this program are discussed, as well as how the furniture design responded to the interesting pedagogical program of the international outdoor school movement. The second part of the text discusses the main trends in the design of school furniture in France in the interwar period. Architects’ theoretical views on the problem of so-called “new education” in the design of school buildings and their equipment (mainly texts and projects by Maurice Barret, published in “Architectured’aujourd’hui”). Trends in furniture design are presented against the background of the pedagogical concepts of that era: Maria Montessori’s pedagogy and progressive trends in teaching, under the influence of which class spaces began to be designed as rooms with flexible functions, thanks to features such as light, multi-functional school furniture using modern shapes and materials.
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