印度古典拉格演奏的时域分析

Saurabh Sarkar, S. Solanki, Soubhik Chakraborty
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引用次数: 2

摘要

音乐信息检索的领域非常广泛,尤其是印度古典音乐。拉格是印度古典音乐中最重要的方面,它进一步分为印度斯坦和卡纳蒂克形式。印度斯坦古典音乐的一个显著特征是演奏拉格的时间。音乐家们在这个问题上提出了截然不同的观点,有些人很严格,另一些人则认为这纯粹是虚构的,因此,调查印度斯坦ragas为什么在特定的演奏时间被分组,是否有任何科学方面的意义,是很有趣的。本文试图研究在上午、下午、晚上和晚上呈现的不同拉格舞曲的音频特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Time domain analysis of Indian classical raga rendition
The area of music information retrieval is very wide in general and Indian classical music in particular. Raga is the most significant aspect of Indian classical music which is further divided into Hindustani and Carnatic forms. One of the distinguishing features of the Hindustani classical music is the time of rendition of a raga. With contrasting opinions offered by musicians on the issue, with some being strict and others labeling it as purely imaginary, it is of interest to investigate whether there are any scientific aspects as to why the Hindustani ragas have been grouped for a particular time of rendition. This paper attempts to investigate audio features of different ragas which are rendered in morning, afternoon, evening and night.
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