寓言机器:奥拉西奥·卡斯特利亚诺斯·莫亚的《地狱sueño》中的政治、历史和记忆

P. Dove
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引用次数: 0

摘要

摘要:本文探讨保罗·德曼关于寓言和时间性的作品如何有助于文学处理政治暴力、独裁、历史创伤和记忆。奥拉西奥·卡斯特拉诺斯·莫亚(Horacio Castellanos Moya) 2013年的小说《我回归的梦想》(El sueño del retorno)探讨了拉丁美洲后独裁时期文学中最具影响力的主题之一的内部矛盾和限制:文学上对记忆的部署,作为走向真理和正义的一步。与此同时,小说也对当今战争的遗留问题提出了微妙而深刻的批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Allegorical Machine: Politics, History, and Memory in Horacio Castellanos Moya’s El sueño del retorno
Abstract: This article looks at how Paul de Man’s work on allegory and temporality can help to shed light on literary treatments of political violence, dictatorship, historical trauma and memory. Horacio Castellanos Moya’s 2013 novel El sueño del retorno [The Dream of My Return] explores the internal contradictions and limits found in one of the most influential themes in the literature of post-dictatorship in Latin America: the literary deployment of memory as a step toward truth and justice. At the same time the novel also proposes a subtle but profound critique of the legacy of militancy today.
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