瓦西里·斯图斯的诗《让我约第六个今天……》——对一个梦的奥菲斯式空间分析的尝试

A. Puchkov
{"title":"瓦西里·斯图斯的诗《让我约第六个今天……》——对一个梦的奥菲斯式空间分析的尝试","authors":"A. Puchkov","doi":"10.33608/0236-1477.2019.05.58-73","DOIUrl":null,"url":null,"abstract":"The paper presents an attempt to slowly read the poem by Vasyl Stus “Let me about sixth today…” (1975–1979) in order to identify connotative motifs of historical, cultural and subject-spatial nature. It is shown that the fixation of these motifs with the help of nouns (image), adjectives and verbs (motive) generates in the reader’s mind not so much an artistic space aimed at forming an “artistic image” as an architectonic space (plot) aimed at depicting the actions that cause (or subject to them) the semantic construction of the poem. The research methodology is based on the classical method of analyzing a poem, a comparative statistical one, which was proposed and developed by Boris Yarkho and Mikhail Gasparov. Counting nouns is carried out within such groups of them: objects; abstract concepts of the external world; abstract concepts of the inner world; appearance. The use of nouns made it possible to see that all concepts meaning things are subject to the compilation of a certain landscape or — more broadly — a space saturated with par excellence negative visual stimuli that one doesn’t want to notice. The figurative means of the poem that form spatial constructions and show temporal characteristics are indicated. The researcher explains the presence of the mythical motive of Orpheus and Eurydice, being characteristic for the creative consciousness of the poet. However, it looks like Stus changes the roles of Eurydice and Orpheus. In using the reverse perspective technique one should see Kyiv as a place of mythological events, akin to Hellenic, but, despite all the toponymic specifics, it lacks positive features: the anxiety of the myth about Eurydice is reflected here as well. The imprisonment of a hero is directly associated with the kingdom of Persephone and Hades. But the model is somewhat complicated: the reason of Orpheus’ anxiety in the ancient myth is somewhat obscure, while in the poem by Stus the hero really worries not so much about his beloved as due to eventual anxiety for his beloved, and therefore about her and her son.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Vasyl Stus’s Poem “Let Me about Sixth Today…”: Attempt of Orphean Spatial Analysis of One Dream\",\"authors\":\"A. Puchkov\",\"doi\":\"10.33608/0236-1477.2019.05.58-73\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper presents an attempt to slowly read the poem by Vasyl Stus “Let me about sixth today…” (1975–1979) in order to identify connotative motifs of historical, cultural and subject-spatial nature. It is shown that the fixation of these motifs with the help of nouns (image), adjectives and verbs (motive) generates in the reader’s mind not so much an artistic space aimed at forming an “artistic image” as an architectonic space (plot) aimed at depicting the actions that cause (or subject to them) the semantic construction of the poem. The research methodology is based on the classical method of analyzing a poem, a comparative statistical one, which was proposed and developed by Boris Yarkho and Mikhail Gasparov. Counting nouns is carried out within such groups of them: objects; abstract concepts of the external world; abstract concepts of the inner world; appearance. The use of nouns made it possible to see that all concepts meaning things are subject to the compilation of a certain landscape or — more broadly — a space saturated with par excellence negative visual stimuli that one doesn’t want to notice. The figurative means of the poem that form spatial constructions and show temporal characteristics are indicated. The researcher explains the presence of the mythical motive of Orpheus and Eurydice, being characteristic for the creative consciousness of the poet. However, it looks like Stus changes the roles of Eurydice and Orpheus. In using the reverse perspective technique one should see Kyiv as a place of mythological events, akin to Hellenic, but, despite all the toponymic specifics, it lacks positive features: the anxiety of the myth about Eurydice is reflected here as well. The imprisonment of a hero is directly associated with the kingdom of Persephone and Hades. But the model is somewhat complicated: the reason of Orpheus’ anxiety in the ancient myth is somewhat obscure, while in the poem by Stus the hero really worries not so much about his beloved as due to eventual anxiety for his beloved, and therefore about her and her son.\",\"PeriodicalId\":413949,\"journal\":{\"name\":\"Академічний журнал \\\"Слово і Час\\\"\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Академічний журнал \\\"Слово і Час\\\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33608/0236-1477.2019.05.58-73\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Академічний журнал \"Слово і Час\"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33608/0236-1477.2019.05.58-73","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文试图细读瓦西尔·斯图斯(Vasyl Stus)的诗《今天让我约六次》(1975-1979),以识别其历史、文化和主体空间性质的隐含母题。研究表明,在名词(意象)、形容词和动词(动机)的帮助下,这些母题的固定在读者的脑海中产生的与其说是一个旨在形成“艺术形象”的艺术空间,不如说是一个旨在描绘导致(或服从于)诗歌语义结构的行为的结构空间(情节)。本文的研究方法是基于鲍里斯·耶尔科和米哈伊尔·加斯帕罗夫提出并发展的古典诗歌分析方法——比较统计方法。计数名词是在这样一组名词中进行的:对象;外部世界的抽象概念;内心世界的抽象概念;外观。名词的使用使我们有可能看到,所有的概念意味着事物都受制于特定景观的汇编,或者更广泛地说,一个充满了人们不想注意的卓越负面视觉刺激的空间。指出了诗中构成空间结构和表现时间特征的比喻手法。研究者解释了俄耳甫斯和欧律狄刻的神话动机的存在,这是诗人创作意识的特征。然而,看起来斯塔斯改变了欧律狄刻和俄耳甫斯的角色。在使用反向视角技术时,人们应该将基辅视为一个神话事件的地方,类似于希腊,但是,尽管有所有的地名特征,它缺乏积极的特征:关于欧律狄刻的神话的焦虑也反映在这里。英雄的监禁与珀尔塞福涅和哈迪斯的王国直接相关。但这种模式有些复杂:古代神话中俄耳甫斯焦虑的原因有些模糊,而在斯图斯的诗中,主人公与其说是担心他的爱人,不如说是担心他的爱人,因此担心她和她的儿子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vasyl Stus’s Poem “Let Me about Sixth Today…”: Attempt of Orphean Spatial Analysis of One Dream
The paper presents an attempt to slowly read the poem by Vasyl Stus “Let me about sixth today…” (1975–1979) in order to identify connotative motifs of historical, cultural and subject-spatial nature. It is shown that the fixation of these motifs with the help of nouns (image), adjectives and verbs (motive) generates in the reader’s mind not so much an artistic space aimed at forming an “artistic image” as an architectonic space (plot) aimed at depicting the actions that cause (or subject to them) the semantic construction of the poem. The research methodology is based on the classical method of analyzing a poem, a comparative statistical one, which was proposed and developed by Boris Yarkho and Mikhail Gasparov. Counting nouns is carried out within such groups of them: objects; abstract concepts of the external world; abstract concepts of the inner world; appearance. The use of nouns made it possible to see that all concepts meaning things are subject to the compilation of a certain landscape or — more broadly — a space saturated with par excellence negative visual stimuli that one doesn’t want to notice. The figurative means of the poem that form spatial constructions and show temporal characteristics are indicated. The researcher explains the presence of the mythical motive of Orpheus and Eurydice, being characteristic for the creative consciousness of the poet. However, it looks like Stus changes the roles of Eurydice and Orpheus. In using the reverse perspective technique one should see Kyiv as a place of mythological events, akin to Hellenic, but, despite all the toponymic specifics, it lacks positive features: the anxiety of the myth about Eurydice is reflected here as well. The imprisonment of a hero is directly associated with the kingdom of Persephone and Hades. But the model is somewhat complicated: the reason of Orpheus’ anxiety in the ancient myth is somewhat obscure, while in the poem by Stus the hero really worries not so much about his beloved as due to eventual anxiety for his beloved, and therefore about her and her son.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信