搭建舞台

P. Juslin
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引用次数: 0

摘要

这一章通过介绍音乐与情感的领域来奠定基础。它解决了以下问题:为什么音乐情感很重要?为什么弗洛伊德不喜欢音乐?研究表明,在“原始”文化和现代社会中,相当多的时间花在唱歌、音乐和舞蹈上。这不仅仅是时间的问题:根据音乐学家大卫·休伦(2001)的研究,北美人在音乐上的花费比在处方药上的还要多。关于音乐的可能起源和功能有许多理论,例如,音乐最初是为了亲子关系、语言习得、工作协调、文化知识的传播、求爱或社会一致性。也有理论认为音乐没有任何意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Setting the Stage
This chapter sets the stage by introducing the field of music and emotion. It addresses the following questions: Why do musical emotions matter? Why did Freud not enjoy music? Studies show that in both ‘primitive’ cultures and modern society, a considerable amount of time is spent on singing, music, and dance. And it is not just time: According to musicologist David Huron (2001), people in North America spend more money on music than on prescription drugs. There are a number of theories about the possible origin and function of music, for instance that music originally served a purpose in parent-infant bonding, language acquisition, work coordination, transmission of cultural knowledge, sexual courtship, or social coherence. There are also theories which claim that music served no purpose at all.
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