口语与文本性(附拜占庭概念附录)

Charis Messis, Stratis Papaioannou
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引用次数: 1

摘要

本章提出,如果不了解拜占庭文学的生产和流通的文本模式,它在口头创作中的可能起源,以及它对口头表演和听觉接受的可能取向,人们就不能接近拜占庭文学——无论是保存在中世纪和早期的现代手稿书籍中,还是以铭文的形式。因此,它介绍和调查了三种类型的文本:(i)反映主要口头条件的文本(歌曲,谚语和长短“故事”);(ii)需要次要口头表达的文本(主要是修辞和礼仪文本);(三)中间类型的文本(虚构口头文本和修辞学礼仪文学文本)。本章通过对拜占庭口头与书面话语概念的考察而圆满结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Orality and Textuality (With an Appendix on the Byzantine Conceptions)
The chapter proposes that one cannot approach Byzantine literature—preserved in either medieval and early modern manuscript books or in the form of inscriptions—without an appreciation of its textual modes of production and circulation, its possible origins in oral creation, and its likely orientation toward oral performance and auditory reception. It thus introduces and surveys three types of texts: (i) texts that reflect conditions of primary orality (songs, sayings, and short or long “stories”); (ii) texts that entail secondary orality (primarily rhetorical and liturgical texts); and (iii) a middle type of texts (texts of fictive orality and rhetoricized liturgical literature). The chapter is rounded off by an examination of Byzantine conceptions of oral vs. written discourse.
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