{"title":"《柏林- <s:1>富庶区<e:1>塞尔多夫:纳粹时期及之后德国戏剧的各个方面》","authors":"Wilhelm Hortmann","doi":"10.1080/13575341.1997.10806958","DOIUrl":null,"url":null,"abstract":"This paper forms part of a chapter in Professor Wilhelm Hortmann's work entitled Shakespeare on the German Stage: The Twentieth Century, to be published by Cambridge University Press, May 1998, reproduced here with permission of the author and Cambridge University Press. It was first presented as a seminar paper at SCAENA, St. John's College, Cambridge, in August 1997.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Berlin—Zürich—Düsseldorf: Aspects of German Theatre During the Nazi Period and After\",\"authors\":\"Wilhelm Hortmann\",\"doi\":\"10.1080/13575341.1997.10806958\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper forms part of a chapter in Professor Wilhelm Hortmann's work entitled Shakespeare on the German Stage: The Twentieth Century, to be published by Cambridge University Press, May 1998, reproduced here with permission of the author and Cambridge University Press. It was first presented as a seminar paper at SCAENA, St. John's College, Cambridge, in August 1997.\",\"PeriodicalId\":391451,\"journal\":{\"name\":\"Studies in Theatre Production\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre Production\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13575341.1997.10806958\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre Production","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13575341.1997.10806958","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Berlin—Zürich—Düsseldorf: Aspects of German Theatre During the Nazi Period and After
This paper forms part of a chapter in Professor Wilhelm Hortmann's work entitled Shakespeare on the German Stage: The Twentieth Century, to be published by Cambridge University Press, May 1998, reproduced here with permission of the author and Cambridge University Press. It was first presented as a seminar paper at SCAENA, St. John's College, Cambridge, in August 1997.
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