弗兰兹·诺普萨男爵:阿尔巴尼亚的国王

R. Kaplan
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摘要

弗朗茨·诺普萨是一位博学的人,他是古生理学的创始人,除了在古生物学、地理学、语言学和巴尔干民族志方面做出了巨大贡献外,他还特别关注阿尔巴尼亚。他来自特兰西瓦尼亚的一个贵族家庭,是最早提出构造板块运动理论和现在被称为岛屿法则的古生物学家之一,此外他还发现了25种爬行动物和5种恐龙。然而,他是一个难以相处的人,他的粗鲁和傲慢激怒了许多同事,使他被边缘化。Nopcsa在阿尔巴尼亚度过了很长一段时间,当时阿尔巴尼亚对西方来说是一个荒凉和孤立的国家,他和Shkodra的山民住在一起,到处旅行,这使他成为了一位杰出的行为学家和语言、文化和部落法律方面的专家。诺普斯卡也挑战了传统的性观念,她与巴贾兹德·多达(Bajazid Doda)的关系一直持续到他们生命的尽头。Nopcsa经济上舒适的生活在第一次世界大战后结束了,从那以后他一直在努力养活自己。尽管如此,他还是继续旅行并出版出版物。1933年4月25日,他身体不适,经济困难,情绪低落,杀死了多达并自杀,留下了遗书。弗朗茨·诺普萨来自哈布斯堡帝国的最后几天,他还有很多其他才华横溢的人。他是最后一批‘有天赋的业余爱好者’之一,很难适应新的无阶级的专业学术界,但他非凡的创造力和成果不应被遗忘。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Baron Franz Nopcsa: the man who would be king of Albania
"Franz Nopcsa, a polymath who was a founder of palaeophysiology, in addition to making great contributions on palaeontology, geography, philology and Balkan ethnography with a special focus on Albania. Coming from an aristocratic family in Transylvania, he was one of the first palaeobiologists, promoted the idea of tectonic plate movement and what is now known as the island rule, in addition to discovering 25 reptile genera and five dinosaurs. He was, however, a difficult personality with a rudeness and arrogance that antagonised many colleagues and left him marginalised. Nopcsa spent long periods in Albania, then a wild and isolated country for the West, staying with the hill people of Shkodra and travelling widely, making him a leading ethologist and expert on the languages, culture and tribal law. Nopsca challenged conventional attitudes towards sex as well, having a relationship with Bajazid Doda, which lasted till the end of their lives. Nopcsa’s financially-comfortable life ended after World War 1 and it was a struggle to support himself after that. Nevertheless, he continued to travel and put out publications. Unwell, struggling financially and depressed, on 25 April 1933 he killed Doda and himself, leaving a suicide note. Franz Nopcsa came from the last days of the Habsburg Empire with so many other radiant talents. He was one of the last ‘gifted amateurs’ who adapted poorly to the new classless world of professional academics, but his phenomenal creativity and output should not be forgotten."
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