流动写作:萨沙·玛丽安娜·萨尔兹曼的《奥瑟西奇》中的身份、性别与迁移

Olivia Albiero
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引用次数: 0

摘要

本文通过对萨沙·玛丽安娜·萨尔兹曼的小说《奥瑟西奇》的解读,从主题和叙事的角度探讨了小说在身份、性别和移民等问题上的“流动性”。我的阅读材料显示了萨尔兹曼是如何在主人公生活的多个转折的交叉点展开叙事的。在《奥塞尔西奇》中,读者跟随阿里一家从苏联移民到西德;阿里自己在伊斯坦布尔寻找他们的过去和双胞胎兄弟;以及主人公经历的性别转变。我的分析强调了这些主题方面是如何反映在小说的形式中,它的奇怪的叙事声音,以及多种语言的使用。在酷儿和女权主义叙事理论的思想指导下,在社会学、后殖民和后移民背景下探索的“流动性”概念的指导下,我展示了萨尔兹曼的“流动写作”如何抵制二元分类来解释所描述的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fluid Writing: Identity, Gender and Migration in Sasha Marianna Salzmann’s Ausser sich (2017)
Abstract This article offers a reading of Sasha Marianna Salzmann’s Ausser sich which focuses on the “fluidity” of the novel as thematic and narrative aspect in relation to questions of identity, gender and migration. My reading shows how Salzmann has crafted a narrative that unfolds at the intersections of multiple transitions in the protagonist’s life. In Ausser sich, the reader follows Ali’s family’s migration from the Soviet Union to West Germany; Ali’s own search for their past and twin brother in Istanbul; and the gender transition that the protagonist undergoes. My analysis highlights how these thematic aspects are reflected in the form of the novel, its queer narrative voice, and the use of multiple languages. Guided by ideas taken from queer and feminist narrative theory and informed by the concept of “fluidity” explored within a sociological, postcolonial and postmigrant context, I show how Salzmann’s “fluid writing” resists binary classifications to account for the shifts described.
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