18世纪音乐重建的问题(以圣歌“Angel Vopiyashe”为例)

A. Lebedeva-Emelina
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引用次数: 0

摘要

这篇文章涉及在德米特里罗夫克里姆林宫档案馆发现的一份18世纪晚期的未知手稿。这些笔记以前属于Apraksin家族,保存在Olgovo庄园的图书馆里。斯捷潘·斯捷潘诺维奇·阿普拉克辛是一位著名的音乐爱好者,在奥尔戈夫有一个农奴剧院、一个管弦乐队和一个唱诗班。在与庄园相邻的村子里,歌手们在圣母介绍教堂的神圣仪式上唱歌。手稿包含两首赞美诗——“Dostojno est”和“Angel vopijashe”。手稿中注明了博特尼扬斯基的作者身份。人们正在考虑的问题是,这个作者是否可以归因于这两个圣歌,或者仅仅是“Dostojno est”。对合唱团《天使伏比雅舍》的音乐进行了分析。吟唱“天使伏匹佳什”最有可能属于早期古典主义,它可以追溯到18世纪80年代。它不是由最熟练的作家写的,他是按照波特尼扬斯基的圣歌的模式创作的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Problems of reconstruction of music of the 18th century (using the example of the chant "Angel Vopiyashe")
The article deals with an unknown manuscript of the late 18th century found in the archives of the Dmitrov Kremlin. Notes previously belonged to the Apraksin family and were kept in the library of the Olgovo estate. Stepan Stepanovich Apraksin was a well-known music lover, in Olgov there was a serf theater, an orchestra, and a choir. The singers sang at divine services in the Church of the Introduction of the Virgin in the village adjacent to the estate. The manuscript contains two hymns — "Dostojno est’" and "Angel vopijashe". The manuscript contains an indication of the authorship of Bortnyansky. The question is being considered whether this authorship can be attributed to both chants, or only to “Dostojno est’”. The music of the choir "Angel vopijashe" is analyzed.The chant "Angel vopijashe" most likely belongs to early classicism, it can be dated to the 1780s. It was not written by the most skillful author, who composed it on the model of Bortnyansky's chants.
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