[评]艾里斯·拉尔夫:《澳大利亚文学中的包装死亡:生态方面与生态方面》,《劳特利奇》,2022年第174页。

Jessica White
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引用次数: 0

摘要

乍一看,对Iris Ralph的《澳大利亚文学中的包装死亡》(2020)的回顾并不完全适合以“奇怪/信件”为主题的问题,因为正如Ralph的致谢页面所示,这本书源于2005年aslecl - anz(当时称为ASLE-ANZ)的首届会议。然而,如果我们考虑到,直到最近,对非人类的沉思对澳大利亚文学批评来说还是一种不熟悉的方法,那么拉尔夫的分析“涉及澳大利亚的植物和动物及其文学”(1)在很大程度上是关于陌生感的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
[Review]Iris Ralph, Packing Death in Australian Literature: Ecosides and Eco-Sides, Routledge, 2022, 174pp.
At first glance, a review of Iris Ralph’s Packing Death in Australian Literature (2020) does not fit neatly into an issue themed ‘Strange/Letters’, for, as Ralph’s acknowledgements page indicates, this book grew out of the inaugural 2005 conference of ASLEC-ANZ (then known as ASLE-ANZ). However, Ralph’s analysis, which ‘addresses plants and animals in Australia and its literature’ (1), is very much about strangeness if we consider that, until fairly recently, the contemplation of the nonhuman was an unfamiliar approach to Australian literary criticism.
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