A. Murphy
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摘要

这一章描述了Amy Seiwert的职业生涯,她是湾区的编舞家,在20多年的时间里,她从新古典芭蕾舞演员变成了全职的当代芭蕾舞编舞家,她渴望重新制定古典舞蹈词典。她的目标是创造舞蹈,以及舞蹈实践,既能保持古典语言的美,又能反映和评论当代生活的现实。由于加州旧金山的实验舞蹈场景,她热切地将自己暴露在当代和后现代舞蹈中长期熟悉的许多编舞工具中。这些包括即兴表演、得分、运动游戏和随意的过程,所有这些都是有组织的游戏形式。对于Seiwert来说,游戏,以及它所要求的代理和胆量,为运动问题和策略带来了新的、富有想象力的体现;通过这些作品,她能够解决紧迫的社会和存在问题,并证明当代芭蕾舞与二十一世纪的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amy Seiwert
This chapter describes the career of Amy Seiwert, a Bay Area choreographer who, over a period twenty years, moved from neoclassical ballerina to full-time contemporary ballet choreographer with a desire to reformulate the classical dance lexicon. Her goal was to create dances, as well as dance practices, that could maintain the beauty of the classical language while reflecting and commenting on the realities of contemporary life. Thanks to the experimental dance scene in San Francisco, California, she eagerly exposed herself to the many choreographic tools long familiar in contemporary and postmodern dance. These included improvisation, scoring, movement games, and aleatory processes, all of which are organized forms of play. Play, and the agency and daring it requires, brought forth new, imaginative embodiments of movement problems and strategies for Seiwert; through them she has been able to address pressing social and existential questions and prove contemporary ballet’s relevance to the twenty-first century.
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