《宠儿》与《丰乳肥臀》魔幻现实主义比较研究

Jiang Fangyuan
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引用次数: 0

摘要

魔幻现实主义起源于20世纪50年代的拉丁美洲,因其艺术和审美价值而成为一种文学潮流。加布里埃尔·加西亚·马尔克斯、托妮·莫里森、莫言等世界知名作家发表了一系列充满魔幻现实主义元素的文学杰作,引起了众多文学评论家的关注。本文采用文本分析法和比较研究法,对莫言和托妮·莫里森的代表作《宠儿》和《丰乳肥臀》中的魔幻现实主义元素进行了考察。从魔幻与现实、魔幻叙事手法、魔幻现实主义象征、神话原型和圣典等方面对两部小说的异同进行了探讨。在此基础上,我发现幻觉现实主义是一个更好的术语,因为它代表了魔幻现实主义在中国的接受和传播。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Comparative Study on Magic Realism in Beloved and Big Breasts & Wide Hips
Originating in Latin America in the 1950s, magic realism has become a literary trend because of its artistic and aesthetic values. World-renowned writers such as Gabriel Garcia Marquez, Toni Morrison, and Mo Yan have published a series of literary masterpieces embedded with magical realistic elements, which draw the attention of many literary critics. This thesis uses text analysis and comparative study as research methods and examines the magical realistic elements in Mo Yan and Toni Morrison’s representative works Beloved and Big Breasts & Wide Hips. The discussion focuses on similarities and differences from the perspective of magic and reality, magic narrative techniques, magic-realistic symbols, as well as mythological archetypes and sacred scripture in those two novels. Based on this, I find that hallucinatory realism is a better term in further magical realism studies because it shows magic realism’s acceptance and transmission in China.
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