James Loeffler
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引用次数: 0

摘要

这一章考察了留声机在犹太民族思想的发展中所起的作用,通过传播特定的犹太形式的作曲。书中谈到了Pinkhas Minkovsky,他出版了一本书来警告“欲望机器”或留声机的危险,它构成了对现代性弊病和对犹太人的威胁的“色情”回应。书中还提到Wolf Isserlin和他的兄弟Mordkhe,他们变成了留声机企业家,开了自己的留声机工厂。这一章调查了为什么明科夫斯基反对留声机,而伊瑟林却将自己的职业生涯押在留声机上。它解释说,明科夫斯基害怕犹太教的亵渎,认为犹太音乐是神圣的,而伊瑟林认为留声机是一种世俗的商品,并急于将其商业化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The ‘Lust Machine’
This chapter investigates the role of the gramophone in the development of the Jewish national idea through the propagation of specifically Jewish forms of composition. It talks about Pinkhas Minkovsky, who published a book in order to warn the dangers of the “lust machine” or gramophone that constituted a “pornographic” response to the ills of modernity and a threat to the Jewish people. It also mentions Wolf Isserlin and his brother Mordkhe who turned into gramophone entrepreneurs and opened their own gramophone factory. The chapter investigates why Minkovsky opposed the gramophone while Isserlin staked his career on it. It explains that Minkovsky feared the desecration of Judaism and believed Jewish music was sacred, while Isserlin considered the gramophone as a secular commodity and rushed to commercialize it.
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