{"title":"摄影电影俱乐部Bandeirante电影部分:理想和现实的业余电影制作在圣保罗，巴西","authors":"L. Foster","doi":"10.2979/FILMHISTORY.30.1.05","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay undertakes a historical investigation of the activities of Foto Cine Clube Bandeirante's cinema section during the 1940s and 1950s and the discourses surrounding amateur film practice in Brazil at the time. Through the pages of Boletim Foto-Cine, the club's official publication, we can identify how commercial narrative cinema and foreign standards were initially considered the models for amateur production. In addition, the beginning of the amateur-film contests in 1950 created a rich context for amateur practice, inspiring the production of different film genres and close attention to Brazilian culture. The connection with the international cinema-club circuit will also be highlighted, as well as the particularities concerning Brazilian amateur cine culture.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"108 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Cinema Section of Foto Cine Clube Bandeirante: Ideals and Reality of Amateur Film Production in São Paulo, Brazil\",\"authors\":\"L. Foster\",\"doi\":\"10.2979/FILMHISTORY.30.1.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay undertakes a historical investigation of the activities of Foto Cine Clube Bandeirante's cinema section during the 1940s and 1950s and the discourses surrounding amateur film practice in Brazil at the time. Through the pages of Boletim Foto-Cine, the club's official publication, we can identify how commercial narrative cinema and foreign standards were initially considered the models for amateur production. In addition, the beginning of the amateur-film contests in 1950 created a rich context for amateur practice, inspiring the production of different film genres and close attention to Brazilian culture. The connection with the international cinema-club circuit will also be highlighted, as well as the particularities concerning Brazilian amateur cine culture.\",\"PeriodicalId\":426632,\"journal\":{\"name\":\"Film History: An International Journal\",\"volume\":\"108 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film History: An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/FILMHISTORY.30.1.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/FILMHISTORY.30.1.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文对20世纪40年代和50年代巴西摄影电影俱乐部(Foto Cine club Bandeirante)电影部门的活动以及当时围绕业余电影实践的话语进行了历史调查。通过俱乐部的官方出版物《Boletim Foto-Cine》，我们可以发现商业叙事电影和外国标准最初是如何被视为业余制作的模式的。此外，1950年开始的业余电影竞赛为业余实践创造了丰富的背景，激发了不同电影类型的制作和对巴西文化的密切关注。与国际电影俱乐部的联系也将被强调，以及巴西业余电影文化的特殊性。
The Cinema Section of Foto Cine Clube Bandeirante: Ideals and Reality of Amateur Film Production in São Paulo, Brazil
ABSTRACT:This essay undertakes a historical investigation of the activities of Foto Cine Clube Bandeirante's cinema section during the 1940s and 1950s and the discourses surrounding amateur film practice in Brazil at the time. Through the pages of Boletim Foto-Cine, the club's official publication, we can identify how commercial narrative cinema and foreign standards were initially considered the models for amateur production. In addition, the beginning of the amateur-film contests in 1950 created a rich context for amateur practice, inspiring the production of different film genres and close attention to Brazilian culture. The connection with the international cinema-club circuit will also be highlighted, as well as the particularities concerning Brazilian amateur cine culture.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
