乐队、纽带和感情

M. J. Lee, R. J. Atchison
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引用次数: 0

摘要

几乎在人类社会开始组织成国家的时候,他们就采用了一个词来形容脱离国家。尽管分离主义和分离主义仍然是难以界定的概念,但随着革命民族主义时代的开始,分离主义开始意味着一个民族和一个地方,一个附属于一个空间的民众,一个离开一个国家并与之一起成为这个国家一部分的群体。分离主义无论是在实践上还是在想象上,都是美国国家经验中引人注目的一部分。关于国家联盟的边界,关于被治理的同意,关于自由的限制,以及关于两极分化的补救措施的问题在每个民主国家都萌芽了。这些问题在关键词、叙述、论点、共同的历史、被吹嘘的英雄、堕落的恶棍和特定政治文化的国家定义行为中被赋予了特定的形式。从一开始,分裂分子就利用明显的美国象征来破坏这个国家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bands, Bonds, and Affections
Nearly as soon as human societies began organizing themselves in nations, they adopted a word to describe getting out of them. Although secession and separatism remain thorny concepts to define, as the era of revolutionary nationalism began, secession began denoting a people and a place, a demos attached to a space, a group leaving a nation and taking part of it with them. Separatism, both in practice and imagination, has been conspicuous in the American national experience. Questions about the boundaries of national union, about the consent to be governed, about the limits of freedom, and about remedies to polarization sprout in every democracy. Those questions are given particular shape in the key words, narratives, lines of argument, shared histories, vaunted heroes, fallen villains, and nation-defining acts of particular political cultures. Since the beginning, separatists have used distinctly American symbols to unmake the nation.
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