{"title":"艺术家在现代社会中的地位","authors":"Dr. Khayrullo S. Kasimov","doi":"10.37547/ajsshr/volume03issue04-03","DOIUrl":null,"url":null,"abstract":"The article shows that under the influence of the position of the artist in modern society, worldview, spiritual and moral creative aspects, realism was formed as the main base in the painting of Uzbekistan, that classical artists who have a personal method of work have been filling it with their creativity, that in the years of independence, the realist direction was manifested in the prolific work of the old and middle generation artists.","PeriodicalId":371306,"journal":{"name":"American Journal Of Social Sciences And Humanity Research","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE POSITION OF THE ARTIST IN MODERN SOCIETY\",\"authors\":\"Dr. Khayrullo S. Kasimov\",\"doi\":\"10.37547/ajsshr/volume03issue04-03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article shows that under the influence of the position of the artist in modern society, worldview, spiritual and moral creative aspects, realism was formed as the main base in the painting of Uzbekistan, that classical artists who have a personal method of work have been filling it with their creativity, that in the years of independence, the realist direction was manifested in the prolific work of the old and middle generation artists.\",\"PeriodicalId\":371306,\"journal\":{\"name\":\"American Journal Of Social Sciences And Humanity Research\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American Journal Of Social Sciences And Humanity Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37547/ajsshr/volume03issue04-03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Journal Of Social Sciences And Humanity Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37547/ajsshr/volume03issue04-03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The article shows that under the influence of the position of the artist in modern society, worldview, spiritual and moral creative aspects, realism was formed as the main base in the painting of Uzbekistan, that classical artists who have a personal method of work have been filling it with their creativity, that in the years of independence, the realist direction was manifested in the prolific work of the old and middle generation artists.
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